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Hannah Montana/Miley Cyrus: Best of Both Worlds Concert Tour (2008)
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Overview
User Rating:
Director:
Contact:
Release Date:
1 February 2008 (USA)
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Genre:
Plot:
A 3-D concert film of the 2007 Hannah Montana/Miley Cyrus tour. | full synopsis
Plot Keywords:
NewsDesk:
(10 articles)
No 3D Home Video Release For “Up”
(From Studio Briefing - Film News. 11 August 2009, 12:10 PM, PDT)
‘Hannah Montana’ Back on Top
(From newsinfilm. 12 April 2009, 11:22 AM, PDT)
(From Studio Briefing - Film News. 11 August 2009, 12:10 PM, PDT)
‘Hannah Montana’ Back on Top
(From newsinfilm. 12 April 2009, 11:22 AM, PDT)
User Comments:
the mother is downright eerie
more (39 total)
Cast
 | Candice Accola | ... | Background singer |
 | Jamie Arentzen | ... | Guitar |
 | Paul Becker | ... | Himself |
| Jaco Caraco | ... | Guitar / Himself |
 | Billy Ray Cyrus | ... | Himself |
 | Miley Cyrus | ... | Herself / Hannah Montana |
 | Teresa Espinosa | ... | Dancer |
| Greg Garbowsky | ... | Bass |
| Kay Hanley | ... | Background singer |
| Mandy Jiroux | ... | Dancer |
| Vashon Johnson | ... | Bass |
 | Joe Jonas | ... | Himself |
| Kevin Jonas | ... | Himself |
 | Nick Jonas | ... | Himself |
| Stacy Jones | ... | MD / Drums |
| Marshall Lake | ... | Dancer |
| Jack Lawless | ... | Drums |
| Ashlee Nino | ... | Dancer |
| Kenny Ortega | ... | Himself |
| Jason Pettigrew | ... | Dancer |
| Jennifer Talarico | ... | Dancer |
Directed by | |||
| Bruce Hendricks | |||
Produced by | |||
| Todd Cogan | .... | 3D camera producer | |
| Rick Hays | .... | field producer | |
| Bruce Hendricks | .... | producer | |
| Joy Lissandrello | .... | field producer | |
| Douglas C. Merrifield | .... | executive producer | |
| Kenny Ortega | .... | producer | |
| Vince Pace | .... | executive producer | |
| Arthur F. Repola | .... | producer | |
| Deena Sheldon | .... | pace producer | |
| Jeff Zachary | .... | pace producer | |
Cinematography by | |||
| Mitchell Amundsen | (director of photography) (as Mitch Amundsen) | ||
Film Editing by | |||
| Michael Tronick | |||
Costume Design by | |||
| Dahlia Foroutan | |||
Makeup Department | |||
| Ellen Vieira | .... | head makeup artist | |
Production Management | |||
| Douglas C. Merrifield | .... | unit production manager | |
| Tina Louise Newman | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Jeffrey Schwartz | .... | second assistant director | |
| David H. Venghaus Jr. | .... | first assistant director | |
Art Department | |||
| Bruce Allen | .... | title sequence art director | |
Sound Department | |||
| Brion Condon | .... | production sound technician: 3D Film | |
| Brian Dinkins | .... | sound recordist | |
| David E. Fluhr | .... | sound re-recording mixer | |
| Rob Nokes | .... | sound effects field recordist: crowds | |
| Eric Pierce | .... | sound mixer | |
| Robert L. Sephton | .... | sound designer | |
| Robert L. Sephton | .... | supervising sound editor | |
Visual Effects by | |||
| Stuart Cripps | .... | digital compositor: Asylum | |
| John Daro | .... | 3D artist | |
| Peter Frintrup | .... | visual effects producer: main title | |
| Max Harris | .... | Inferno artist: Asylum | |
| Michael Lori | .... | lead tracker | |
| Valy Lungoccia | .... | digital effects artist | |
| Dawn Martin | .... | tape coordinator | |
| Scott Milne | .... | compositing supervisor | |
| James Montalbano | .... | digital artist | |
| Eddie Offermann | .... | digital artist | |
| Frank Spiziri | .... | visual effects producer: Asylum | |
| John Stewart | .... | digital compositor: Asylum | |
| Daniel Warom | .... | digital effects artist | |
| Elizabeth Hitt | .... | digital producer (uncredited) | |
| John L. Weckworth | .... | digital compositor: Asylum (uncredited) | |
Editorial Department | |||
| Aaron Brock | .... | first assistant editor | |
| John Daro | .... | digital intermediate colorist | |
| Vickie M. Hsieh | .... | post-production coordinator | |
| John Nicolard | .... | digital intermediate supervisor | |
| Gregory Perler | .... | documentary editor | |
| Dylan Quirt | .... | assistant editor | |
| Bill Schultz | .... | digital intermediate executive | |
| Ryan Sheridan | .... | high definition engineer | |
Music Department | |||
| Brent Brooks | .... | music editor | |
| Scott Elgin | .... | assistant engineer | |
| Matt Fausak | .... | assistant music editor | |
| Joseph Magee | .... | supervising music mixer | |
Transportation Department | |||
| Daniel Davis | .... | transportation captain | |
| Ron Kunecke | .... | transportation coordinator | |
| Tom Sweeney | .... | transportation dispatcher | |
Thanks | |||
| Jerry Bruckheimer | .... | special thanks | |
| Brandi Cyrus | .... | special thanks | |
| Tish Cyrus | .... | special thanks | |
| Kevin Jonas | .... | special thanks | |
| Stefan Sonnenfeld | .... | special thanks | |
| Jeff Sturgis | .... | special thanks | |
| Robert Zemeckis | .... | special thanks | |
Production CompaniesDistributors
- Walt Disney Studios Motion Pictures (2008) (USA) (theatrical)
- Buena Vista International (2008) (Argentina) (theatrical)
- Walt Disney Pictures (2008) (Chile) (theatrical)
- Walt Disney Pictures (2008) (Mexico) (theatrical)
- Walt Disney Pictures (2008) (Norway) (theatrical)
- Walt Disney Pictures (2008) (South Africa) (theatrical)
- Walt Disney Studios Motion Pictures (2009) (Japan) (theatrical)
- Walt Disney Studios Motion Pictures (2008) (Netherlands) (theatrical)
- Walt Disney Studios Motion Pictures (2009) (Singapore) (theatrical)
- Walt Disney Studios Home Entertainment (200?) (Netherlands) (DVD)
- Walt Disney Studios Home Entertainment (2008) (USA) (DVD)
- Walt Disney Studios Home Entertainment (2008) (USA) (DVD) (Blu-ray)
- Cameron / PACE Fusion 3D camera equipment provided by (Fusion 3D cameras)
- Chapman/Leonard Studio Equipment camera cranes
- Chapman/Leonard Studio Equipment camera dollies
- Chapman/Leonard Studio Equipment stabilized remote camera systems
- FotoKem Film and Video 3D digital intermediate
- Herzog Company, The documentary photography
- MFX visual effects
- PACE camera equipment provided by (specialty HD equipment)
- Pivotal Post Avid HD Editing Equipment Provided By
- Redman Movies and Stories camera dolly
- Redman Movies and Stories expendables
- Redman Movies and Stories grip rentals
- Walt Disney Records soundtrack
Additional Details
Parents Guide:
Runtime:
USA:74 min | USA:82 min (DVD extended cut) | Argentina:82 min
Country:
Language:
Color:
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Certification:
Ireland:G |
UK:U |
USA:G (certificate #44097) |
Australia:G |
Hong Kong:I |
Philippines:G (MTRCB) |
USA:G (extended edition) |
South Korea:All |
Netherlands:AL |
Singapore:G |
Argentina:Atp
Filming Locations:
Fun Stuff
Trivia:
Had the best-ever box-office premiere for a concert film (topping The Original Kings of Comedy (2000)).
more
Goofs:
Continuity: Miley is given flowers by a person in the audience. She places them on the stage in front of her. In the next shot they have disappeared.
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Quotes:
Interviewed father:
You know, I didn't - I didn't expect, uh, so much screaming.
[samples of girl fans screaming]
Interviewed father: It's like standing behind a jet when it revs up. Actually worse.
more
[samples of girl fans screaming]
Interviewed father: It's like standing behind a jet when it revs up. Actually worse.
more
Movie Connections:
References "Hannah Montana" (2006)
more
FAQ
Is this on DVD and Blu-ray?Does Miley really use a body double?
more
more (39 total)
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How can anyone watch this and not be thinking- give it ten more years and she'll be shaving her head? I hope with all my heart that it won't come to pass, but this overproduced and overblown effort to create stardom for the sake of stardom is mind-blowing. Miley has a pleasant enough voice, but all the bells and whistles (and pyrotechnics and massive financial expenditures) are definitely putting the cart before the horse- she hasn't risen to stardom, she has been shoved up there by folks seeking the all-mighty dollar. And the few moments showing Miley's mother are downright eerie- she's focused on the girl as if it is a life or death event, not an entertainment production. No smiles, no enjoying the music- she looks like a cat watching a canary in a cage. When interviewed, she seems to think helping her daughter with costume changes is the main proof that she's a concerned mom. Time may prove me wrong and that'd be a great thing, because statistically speaking child stars pushed to the top by obsessive parents just don't seem to do well in the long run.
In summary, lots of flash, non-memorable music. But I am grateful to see that Miley and her backup group can dance well without resorting to oversexed bumps and grinds.