| Videos (see all 6) |
| Sarah Michelle Gellar | ... | Veronika | |
| David Thewlis | ... | Dr. Blake | |
| Jonathan Tucker | ... | Edward | |
| Erika Christensen | ... | Claire | |
| Melissa Leo | ... | Mari | |
| Erica Gimpel | ... | Nurse White | |
| Waleed Zuaiter | ... | Lecturer | |
| Victor Slezak | ... | Gabriel Durant | |
| Adrian Martinez | ... | Nurse #1 | |
| Florencia Lozano | ... | Dr. Thompson | |
| Barbara Sukowa | ... | Mom | |
| Matthew Cowles | ... | Old Fred | |
| Rena Owen | ... | Nurse Josephine | |
| Holter Graham | ... | Eric Grafton | |
| Stuart Rudin | ... | Deluded Man Patient | |
| Ward Horton | ... | Guy | |
| Meg Gibson | ... | Pro-Pundit | |
| John Farrer | ... | Old Fisherman | |
| Rafael Sardina | ... | Nurse #2 | |
| Jill Marie Lawrence | ... | Female Nurse #1 | |
| Lisette Bross | ... | Work Colleague #3 | |
| Gregory Marcel | ... | Coffee Boy | |
| Nicolette Hart | ... | Reporter | |
| Victor Steinbach | ... | Dad | |
| Jeff Applegate | ... | Anti-Pundit | |
| Jessica Kaye | ... | Bartender | |
| Tatiana Maher | ... | Veronika as 6 yr old | |
| Al Roffe | ... | Superintendent | |
| David Skeist | ... | Work Colleague #2 | |
| Amanda LaPergola | ... | Shouting Patient | |
| Tania Santiago | ... | Work Colleague #1 | |
| Michael Harkins | ... | Parent #1 (uncredited) | |
| Christy Bella Joiner | ... | Nurse (uncredited) |
Directed by | |||
| Emily Young | |||
Writing credits(in alphabetical order) | ||
| Paulo Coelho | book | |
| Larry Gross | writer | |
| Roberta Hanley | screenplay | |
Original Music by | |||
| Murray Gold | |||
Cinematography by | |||
| Seamus Tierney | |||
Film Editing by | |||
| Úna Ní Dhonghaíle | |||
Casting by | |||
| Sig De Miguel | |||
| Stephen Vincent | |||
Production Design by | |||
| John Nyomarkay | |||
Costume Design by | |||
| Frank L. Fleming | |||
Makeup Department | |||
| Cyndie Boehm | .... | key makeup artist | |
| Caryn Brostoff | .... | star request makeup artist | |
| Colleen Wheeler | .... | key hair stylist | |
Production Management | |||
| Danielle Blumstein | .... | production manager | |
| Samara Levenstein | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Nicholas R. Bell | .... | second assistant director | |
| Sheri Davani | .... | first assistant director | |
| Luke Tomalin Sherman | .... | second second assistant director | |
Art Department | |||
| Anja Fenzlein | .... | art intern | |
| Anja Fenzlein | .... | art production assistant | |
| Greg Izzo | .... | set dresser | |
| Abbey Katz | .... | graphic artist | |
| Tory Noll | .... | art assistant | |
| Jeffrey Rollins | .... | property master | |
| Jennifer Santucci | .... | props | |
| Sarah Shriber | .... | art department intern | |
| Nicole Teeny | .... | researcher: set decoration | |
Sound Department | |||
| Antonio L. Arroyo | .... | production sound mixer | |
| Chad Birmingham | .... | foley editor | |
| Brian Bowles | .... | supervising sound editor | |
| Jason Gaya | .... | adr mixer | |
| Matthew Haasch | .... | sound effects editor | |
| Andrew Kris | .... | sound re-recording mixer | |
Visual Effects by | |||
| Chris Gelles | .... | visual effects executive producer: & Company | |
| David Isyomin | .... | visual effects supervisor: & Company | |
Stunts | |||
| Chris Barnes | .... | marine coordinator | |
| Manny Siverio | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Luis Colon | .... | dolly grip | |
| Dylan Crawshay-Williams | .... | key rigging grip | |
| Jon Delgado | .... | camera operator: "b" camera | |
| William Evans | .... | first assistant camera | |
| Michael Grantland | .... | second assistant camera | |
| Rob Harlow | .... | key grip | |
| Wesley Hodges | .... | first assistant camera: underwater scenes | |
| David Isern | .... | Steadicam operator | |
| David Isern | .... | camera operator | |
| Christian May | .... | electrician | |
| Lance Mayer | .... | underwater camera operator | |
| Lisa Origlieri | .... | second assistant camera | |
| Justin Panzanaro | .... | best boy grip | |
| Michele SchianodiCola | .... | electrician | |
| Sarah Shatz | .... | still photographer | |
| Brooke Stanford | .... | gaffer | |
| Jonathan Stern | .... | best boy electric | |
| JoJo Whilden | .... | still photographer | |
Casting Department | |||
| Lori Eastside | .... | casting associate | |
| Lori Eastside | .... | extras casting | |
| Danielle Pretsfelder | .... | casting associate | |
Costume and Wardrobe Department | |||
| Aneikit Bonnel | .... | set costumer | |
| Lisa R. Frucht | .... | assistant costume designer | |
| Chrissy Kuhn | .... | wardrobe supervisor | |
| Ewa Noskowicz | .... | costume assistant | |
| Malik Summers | .... | wardrobe production assistant | |
Editorial Department | |||
| Jason Barnes | .... | first assistant editor | |
| Mitchell Ferm | .... | digital intermediate producer | |
| Robert L. Goodman | .... | additional editor | |
| John Potter | .... | video mastering | |
Music Department | |||
| Guilherme Campellon | .... | music consultant | |
| John Carbonara | .... | music editor | |
| Tony Finno | .... | orchestra librarian | |
| Ben Foster | .... | orchestrator | |
| Richard King | .... | music scoring engineer | |
| Jessica Sobhraj | .... | music consultant | |
| Michael Whalen | .... | music supervisor | |
Other crew | |||
| Jason Block | .... | post-production accountant | |
| William M. Bradley | .... | additional p.a. | |
| Charlie Dibe | .... | assistant production coordinator | |
| Christian Edsall | .... | location assistant | |
| Lindsay Feldman | .... | production coordinator | |
| Scott Friedman | .... | production assistant | |
| Duck Grossberg | .... | data manager | |
| Lauren Heath | .... | assistant production office coordinator | |
| Omar Hernandez | .... | production assistant | |
| Liz Huizinga | .... | assistant accountant | |
| William Jackson | .... | production assistant | |
| Phyllis Johnson | .... | adr loop group | |
| Amanda Kindel | .... | assistant: producer | |
| Sara Lane | .... | production accountant | |
| Rafael Lima | .... | location manager | |
| Colin Louro | .... | production office intern | |
| Kim Ludlow | .... | script supervisor | |
| Kristyn Macready | .... | assistant: ms gellar | |
| Jenelle Malbrough | .... | set production assistant | |
| Keith Marlin | .... | key set production assistant | |
| Sean Oliver | .... | adr loop group | |
| Julia Pasternak | .... | production office assistant | |
| Marc H. Simon | .... | legal counsel: Dreier LLP | |
| Erin Sullivan | .... | assistant to director | |
| J.P. Varady | .... | office runner | |
| Noreen Ward | .... | payroll accountant | |
| Jeffrey M. Weber | .... | set production assistant | |
| Amy L. Weishaar | .... | production assistant: background | |
| Matthew H. Wiesner | .... | location assistant | |
| Melinda Ziyadat | .... | paperwork production assistant | |
| Bill Timoney | .... | adr voice group (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
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I just watched the movie at a film festival in Sofia, Bulgaria.
First of all the the music in the movie (especially when Veronika plays the piano) is very moving and really dragged me into the emotions of the scenes. It is so intense as if Veronika's inner world and feelings were my own.In my opinion Sarah Michelle Gellar did a great job conveying the personality of the character to the viewer.
Many people have read the book and I think that many will find the adaptation quite successful. As with other books made into movies, it is not as detailed as the original, but it is surely as intense and emotional.
As for criticism, somehow I find the role of the doctor somewhat secondary, there wasn't much interaction between the two of them. I was also a little surprised at how abrupt the movie ended at first, but as I think of it, a 30 minute ending would do more harm than good.
And the message is what is the most important part, it is something that all of us should be reminded about. And in contrast to other films with great messages, this one has a rich atmosphere that compels you to watch and watch and watch.
I guess more of Paulo Coelho's books will be made into movies, but I hope the adaptation is at least as good as this one.