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"Gossip Girl" Pilot (2007)



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Overview

User Rating:
6.8/10   211 votes
Director:
Writers:
Josh Schwartz (teleplay) &
Stephanie Savage (teleplay) ...
(more)
Contact:
View company contact information for Pilot on IMDbPro.
Original Air Date:
19 September 2007 (Season 1, Episode 1)
Genre:
Plot:
At a privileged prep school for teens on Manhattan's Upper East Side, the students first learn that... more | full synopsis
User Comments:
Welcome to the Upper East Side more (1 total)

Cast

 (Episode Cast) (in credits order)
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Episode Crew
Directed by
Mark Piznarski 
 
Writing credits
Josh Schwartz (teleplay) &
Stephanie Savage (teleplay)

Cecily von Ziegesar (novel)

Produced by
Jonathan C. Brody .... co-producer
Trey Coscia .... associate producer
Amy J. Kaufman .... producer (as Amy Kaufman)
Bob Levy .... executive producer
Leslie Morgenstein .... executive producer
Joshua Safran .... consulting producer
Stephanie Savage .... executive producer
Josh Schwartz .... executive producer
 
Original Music by
Transcenders 
 
Film Editing by
Timothy A. Good 
 
Set Decoration by
Christina K. Tonkin 
 
Production Management
Bart Wenrich .... unit production manager
 
Second Unit Director or Assistant Director
Brian Kenyon .... second second assistant director
 
Art Department
Jill Alexander .... property master
Charles E. McCarry .... assistant art director
Kevin L. Raper .... additional graphic artist
Ari David Schwartz .... on-set dresser
 
Sound Department
Vince Balunas .... adr & dialogue editor
Vince Balunas .... adr recordist
Ed Carr .... sound re-recording mixer
Daniel Colman .... sound effects editor
Nick Foley .... adr mixer
Todd Grace .... sound re-recording mixer
Sean Keegan .... foley mixer
Jack Levy .... supervising sound editor
Doug Madick .... supervising foley artist
Douglas Murray .... adr mixer
Beauxregard Neylon .... adr mixer
Richard Partlow .... foley artist (as Rick Partlow)
Richard Partlow .... foley artist
James J. Sabat Jr. .... sound recordist
Kevin Valentine .... sound re-recording mixer
 
Visual Effects by
Elizabeth Alvarez .... visual effects coordinator
Michael D. Leone .... visual effects supervisor
Trista K. Wahl .... visual effects producer
 
Stunts
Peter Bucossi .... stunt coordinator
 
Camera and Electrical Department
René Crout .... first assistant camera: second unit
Steve Drellich .... camera operator: "b" camera
Christopher B. Green .... first assistant camera: "b" camera
Eric Liebowitz .... still photographer
Patrick Lowry .... dolly grip
Sal Martorano .... rigging gaffer
Guillaume Renberg .... remote camera operator
Guillaume Renberg .... remote head technician
Tim Ross .... second assistant camera
Adrian Washington .... grip
Jamie A. Marlowe .... first assistant camera: second unit (uncredited)
 
Casting Department
Daryl Eisenberg .... casting associate
Anthony J. Kraus .... casting associate
Brady Smith .... casting associate
Lindsay Swartz .... extras casting assistant
David M. Waldron .... background casting associate
Arthur Dutkanicz .... extras casting assistant (uncredited)
Grant Wilfley .... extras casting (uncredited)
 
Costume and Wardrobe Department
Jessica Chaney .... key on-set costumer
Tonya Huskey .... costume supervisor
Lauren Miller .... costume coordinator
Angela Mirabella .... set costumer
Vanessa Lee Rodd .... costume coordinator
 
Editorial Department
Brandon Lott .... assistant editor
 
Music Department
Steve Durkee .... music editor
Alexandra Patsavas .... music supervisor
Transcenders .... composer: theme music
 
Other crew
Frank Cattano .... assistant location manager
Al Cerullo .... helicopter pilot
Tanya Doyle .... assistant production coordinator
Nicholas Fabiano .... staff production assistant
Glenn Ferrara .... production assistant
Eli Gurevich .... assistant accountant
Sally May Homer .... production assistant
Hannah Hoover .... production assistant
Margaret Jacobs .... production coordinator
Joseph Lombardi .... production accountant
Elizabeth MacSwan .... set production assistant
Randy Manion .... location manager
David M. McGuire .... assistant location manager
Elizabeth Pellegrini .... production coordinator
Camilla Plummer .... payroll accountant
Stephen Seidel .... stand-in
Eric J. Sonntag .... location assistant
Christian Vendetti .... key production assistant
Dana Zolli .... staff production assistant
David Shupp Jr. .... construction office production assistant (uncredited)
Ramona Wong .... second assistant accountant (uncredited)
Imran Yusufzai .... accounting clerk (uncredited)
 

Series Crew
These people are regular crew members. Were they in this episode?
Writing credits
(in alphabetical order)
Stephanie Savage  creator
Josh Schwartz  creator

Casting by
Lindsey Hayes Kroeger 
 
Art Direction by
Doug Huszti 
 
Art Department
Pete Dancy .... assistant props (pilot)
Lee Malecki .... assistant set decorator: SDSA
Philip Saccio .... property master
 
Sound Department
Jorge Montijo .... sound editor
James Sabat .... sound mixer
 
Visual Effects by
Kristen Branan .... head of production: Zoic Studios
 
Camera and Electrical Department
John W. DeBlau .... lighting consultant
Jason Lanci .... electrician
Barry Minnerly .... digital imaging technician
Ronald Paul .... electrician
 
Costume and Wardrobe Department
Meredith Markworth Pollack .... assistant costume designer
 
Other crew
Alitzah .... adr loop group
Heather Gauntt .... location scout
Sarah E. Leonard .... production secretary
Christopher M. Lewis .... office production assistant
Mike O'Neill .... location scout
Anthony Palmini .... office production assistant
 
Production CompaniesDistributorsOther Companies
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Additional Details

Runtime:
42 min
Country:
Language:
Color:
Aspect Ratio:
1.78 : 1 more
Sound Mix:
Certification:

Fun Stuff

Trivia:
Was originally pitched as a feature with Lindsay Lohan as Blair Waldorf. When that fell through, its backers (who had the rights to the stories) approached Josh Schwartz about turning it into a series. more
Goofs:
Continuity: While talking to Nate in the park Chuck offers to take some of his mother's medicine. It is revealed later in the series that Chuck's mother died shortly after Chuck was born. more
Quotes:
Serena van der Woodsen: I miss you. I just want things to go back to the way they used to be. Ya know walking to school together. Dancing on tables at Bungalow. Midnight swimming at your mom's country house. Your like my sister. And ya know with our families, we need each other.
Blair Waldorf: Well, you missed some classic Eleanor Waldorf meltdowns. If it wasn't such a tradgedy it would've been funny. Actually it kind of was.
[both girls laugh]
Serena van der Woodsen: Well I wish I could've been there.
Blair Waldorf: You are now. I have to meet Nate. Kinda have something special planned.
[...]
more
Movie Connections:
References "Smallville" (2001) more
Soundtrack:
Hard to Live in the City more

FAQ

This FAQ is empty. Add the first question.
Welcome to the Upper East Side, 23 January 2009
8/10
Author: Max_cinefilo89 from Italy

"I don't read Gossip Girl. It's for chicks" says one of the show's leading characters (a boy, obviously) at one point in the first episode. It might be an ironic reference to the program's source material, a successful series of books that qualify as "chick lit", hence making the small-screen transition (originally pitched as a movie starring Lindsay Lohan; wonder why...) a potential marketing problem. Then again, having a male writer, not to mention the man who created The O.C., aka Josh Schwartz, as one of the two show-runners (the other one is Stephanie Savage, who also worked on Schwartz's most famous creation) solved that problem elegantly. Whether the series can live long enough remains to be seen (The O.C. started losing steam after just one season), but the first 18 episodes suggest it has a lot to be recommended for.

The series takes its name from the eponymous, mysterious woman who runs a highly popular blog on the Internet, which allows the rich, spoiled teenagers of New York's Upper East Side to know everything about everyone. This all-knowing person remains unseen - all we hear is a voice-over (done by an uncredited Kristen Bell, aka Veronica Mars) that acts as our guide in this world of greed and deception. Her news of the day? Former party queen Serena Van Der Woodsen (Blake Lively) is back from a self-imposed exile at a boarding school in New England. Her alleged best friend, Blair Waldorf (Leighton Meester), greets her return with unexpected coldness, something that the scheming, horny Chuck Bass (Ed Westwick) is happy about since he's aware of a dirty little secret involving Serena and Blair's boyfriend Nate Archibald (Chace Crawford). In a less glamorous part of town, Dan Humphrey (Penn Badgley) and his sister Jenny (Taylor Momsen) strive for better friends, which works out pretty well for Dan once he meets Serena (Jenny is stuck with Blair, unfortunately). And why shouldn't he be that lucky? After all, his dad Rufus (Matthew Settle) appears to have a past with Serena's mother Lily (Kelly Rutherford).

Following the example set by The O.C. and taking things up several notches, Gossip Girl is an opulent slide-show of teen drama clichés, all depicted with a gleeful self-awareness that gives the show its true narrative meat: the plotting is basic at best (we've seen this stuff a million times before) but like the equally smart (and a tad superior) Desperate Housewives, the soap opera aspects are handled with a postmodern mixture of seriousness and irony. And let's face it, it's just too damn much fun watching those obscenely wealthy youngsters hatching conspiracies against each other.

The other key ingredient (aside from a killer soundtrack, that is) is casting: none of the main young actors were well known prior to appearing on the show (something that applies to most teen dramas), a fact which helps when it comes to seeing them as those people and not, say, some former child star doing a self-parody (perhaps the Lindsay Lohan idea was best left in a corner, then). Also, just like in The O.C. and pretty much any good teen-centric series of the last decade, the adult thespians (mainly two: Settle and Rutherford) do more than just sit in the background. Besides, Rutherford's casting isn't merely a good choice, it's also a cunning nod to her most famous TV role, that as Megan Lewis in Melrose Place. And of course, Bell's uncredited voice is perfect.

What may have looked like just another teen show at first is actually a pretty smart achievement, and for a good reason: it knows about its conceptual weaknesses and makes fun of them in a loving way. The American television way.

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