| Finn Atkins | ... | Paige | |
| Alyssa Cooper | ... | Child in nursery | |
| Shaun Dooley | |||
| Eliza Elkington | ... | Child in Classroom | |
| Michael Fassbender | ... | Steve | |
| James Gandhi | ... | Adam | |
| Thomas Gill | ... | Ricky | |
| Jack O'Connell | ... | Brett | |
| Kelly Reilly | ... | Jenny | |
| Thomas Turgoose | ... | Cooper | |
| Bronson Webb | ... | Reece |
Directed by | |||
| James Watkins | |||
Writing credits(in alphabetical order) | ||
| James Watkins | writer | |
Produced by | |||
| Christian Colson | .... | producer | |
| Richard Holmes | .... | producer | |
| Ivana Mackinnon | .... | associate producer | |
| Diarmuid McKeown | .... | associate producer | |
| Paul Ritchie | .... | co-producer | |
Original Music by | |||
| David Julyan | |||
Cinematography by | |||
| Christopher Ross | |||
Film Editing by | |||
| Jon Harris | |||
Casting by | |||
| Julie Harkin | |||
Production Design by | |||
| Simon Bowles | |||
Set Decoration by | |||
| Lisa Chugg | |||
Costume Design by | |||
| Keith Madden | |||
Makeup Department | |||
| Sophie Brice | .... | makeup artist | |
| Sophie Bryce | .... | makeup artist | |
| Clarice Gill | .... | assistant makeup artist | |
| Paul Hyett | .... | prosthetic makeup designer | |
| Kristyan Mallett | .... | prosthetics technician | |
| Kirstie Stanway | .... | makeup designer | |
Production Management | |||
| Jennifer Wynne | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Alison Banks | .... | second assistant director | |
| Paul Bennett | .... | additional assistant director | |
| Matt Carver | .... | first assistant director | |
| Beatrice Manning | .... | third assistant director | |
Art Department | |||
| Gerry Atkinson | .... | props | |
| Alex Boswell | .... | chargehand stand-by props | |
| John Botton | .... | props | |
| Matthew Broderick | .... | stand-by props | |
| Roy Chapman | .... | property master | |
| Lisa Chugg | .... | production buyer | |
| Melloney Cunnell | .... | assistant art director | |
| Simon Duric | .... | storyboard artist | |
| Robert Haynes | .... | stand-by art director | |
Sound Department | |||
| Hugo Adams | .... | foley editor | |
| Ben Barker | .... | supervising sound editor | |
| Sandy Buchanan | .... | adr recordist | |
| Sandy Buchanan | .... | foley recordist | |
| James Corless | .... | sound mix technician | |
| Nina Hartstone | .... | supervising dialogue & adr editor | |
| Andrea King | .... | foley artist | |
| Richard Pryke | .... | sound re-recording mixer | |
| Jack Stew | .... | foley artist | |
| Ivor Talbot | .... | sound mixer | |
| Ian Tapp | .... | sound re-recording mixer | |
| Tarn Willers | .... | boom operator | |
Special Effects by | |||
| Richard Magrin | .... | special effects technician | |
| John Rafique | .... | special effects supervisor | |
| Nick Smith | .... | special effects technician | |
| Chris Watson | .... | special effects technician | |
Visual Effects by | |||
| Håkan Blomdahl | .... | digital artist: Filmgate | |
| Zachary Bloom | .... | scanning and recording: Framestore CFC | |
| Matthew Bristowe | .... | digital lab producer: MPC | |
| James Cundill | .... | IQ editor | |
| Max Horton | .... | colourist | |
| Begoña Lopez | .... | digital lab producer: MPC | |
| Emelie Nilsson | .... | digital artist: Filmgate | |
| Lee Rankin | .... | scanning and recording: Framestore CFC | |
| Jacob Svensson | .... | digital artist: Filmgate | |
| Sean Wheelan | .... | visual effects producer | |
Stunts | |||
| Richard Bradshaw | .... | stunt coordinator | |
| Tony Christian | .... | stunt double | |
| Rick English | .... | stunt double | |
| Andy Wareham | .... | stunt double | |
Camera and Electrical Department | |||
| Theo Berman | .... | camera trainee | |
| James Chesterton | .... | camera trainee | |
| Philippe Cointepas | .... | focus puller | |
| Warwick Drucker | .... | key grip | |
| Andy McBrearty | .... | gaffer | |
| Barry McCullagh | .... | electrician | |
| Ang Richards | .... | second assistant camera | |
| Ang Richards | .... | second assistant camera: "a" camera | |
| Nick Wall | .... | still photographer | |
| Jimmy Ward | .... | second assistant camera: second unit | |
Costume and Wardrobe Department | |||
| Kate Laver | .... | key costume stand-by | |
| Holly Smart | .... | costume stand-by | |
Editorial Department | |||
| Tamsin Jeffrey | .... | first assistant editor | |
| Laura Jennings | .... | assistant editor | |
Music Department | |||
| Dana Niu | .... | orchestrator | |
| Alison Wright | .... | score coordinator | |
Other crew | |||
| Ajay Bhatt | .... | medic | |
| Caroline Bowker | .... | script supervisor | |
| Nicky Coats | .... | production accountant | |
| Matt Curtis | .... | title designer | |
| Lara Davis | .... | production secretary | |
| Kathryn Deighan | .... | runner | |
| Elton Farla | .... | medical coordinator | |
| Sam Holmes | .... | floor runner | |
| Steve Mortimore | .... | location manager | |
| Asha Sharma | .... | assistant location manager: re-shoots | |
| Joss Spry | .... | runner | |
| Katherine Tibbetts | .... | production coordinator | |
| Ben Vokes | .... | runner | |
| Jason Wheeler | .... | location manager | |
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| Desperation | Ils | Fear | The Birds | The Breed |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb UK section | Add this title to MyMovies |
When I say "not entertaining", I maybe address a rather personal issue. So nothing to worry about... Some movies are clearly fictitious, morally it's easy for me to enjoy what's on the big screen. Some are not... Starting back a few years ago, imho, the story and the setting gradually migrated into something more and more realistic. This way audience gets confronted with voyeurism... that's what I would call a moral dilemma... some movies (e.g. hostel) chose a real-world setting with a (hopefully) fictitious story... others, like this one, gives us a feeling like it could happen anytime and anywhere... This movie may be considered as horror or thriller... just suspense... It also opens space for social reflection. Projection of fears from within our world, our society...
Thus "Eden Lake" might be considered as a perfect horror-movie... confronting us with our real fears while trying to entertain us.
For me? It's too close to reality to be just the innocent pleasure of watching...