| David Tennant | ... | The Doctor / John Smith | |
| Freema Agyeman | ... | Martha Jones | |
| Jessica Hynes | ... | Joan Redfern | |
| Rebekah Staton | ... | Jenny | |
| Thomas Sangster | ... | Tim Latimer | |
| Harry Lloyd | ... | Baines | |
| Tom Palmer | ... | Hutchinson | |
| Gerard Horan | ... | Clark | |
| Lauren Wilson | ... | Lucy Cartwright | |
| Pip Torrens | ... | Rocastle | |
| Matthew White | ... | Phillips | |
| Sophie Turner | ... | Vicar |
| Episode Crew |
Directed by | |||
| Charles Palmer | |||
Writing credits | ||
| Paul Cornell | (written by) | |
Produced by | |||
| Phil Collinson | .... | executive producer | |
| Russell T. Davies | .... | executive producer | |
| Julie Gardner | .... | executive producer | |
| Susie Liggat | .... | producer | |
Original Music by | |||
| Murray Gold | |||
Cinematography by | |||
| Rory Taylor | (director of photography) | ||
Film Editing by | |||
| Matthew Tabern | |||
Casting by | |||
| Andy Pryor | |||
Production Design by | |||
| Edward Thomas | |||
Art Direction by | |||
| Arwel Jones | (supervising art director) (as Arwel Wyn Jones) | ||
Set Decoration by | |||
| David Morison | |||
Costume Design by | |||
| Louise Page | |||
Makeup Department | |||
| Pam Mullins | .... | makeup artist | |
| John Munro | .... | makeup artist | |
| Steven Smith | .... | makeup artist (as Steve Smith) | |
| Barbara Southcott | .... | makeup designer | |
Production Management | |||
| Chris Blatchford | .... | post-production supervisor | |
| Samantha Hall | .... | post-production supervisor | |
| Huw Jones | .... | unit manager | |
| Tracie Simpson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Sarah Davies | .... | third assistant director | |
| Richard Harris | .... | first assistant director | |
| Steffan Morris | .... | second assistant director | |
Art Department | |||
| Paul Aitken | .... | property master | |
| Adrian Anscombe | .... | chief property master | |
| Ian Bunting | .... | design assistant | |
| Amy Chandler | .... | forward dresser | |
| Tim Dickel | .... | stand-by art director | |
| Rob Dicks | .... | design assistant | |
| Bryan Griffiths | .... | stand-by rigger | |
| Martin Griffiths | .... | props storeman | |
| Matthew Hywel-Davies | .... | construction manager | |
| Gareth Jeanne | .... | props chargehand | |
| Paul Jones | .... | stand-by carpenter | |
| Jonathan Marquand Allison | .... | art department production manager | |
| Peter McKinstry | .... | design assistant | |
| Nick Murray | .... | stand-by props | |
| Stephen Nicholas | .... | chief supervising art director | |
| James North | .... | associate designer | |
| Matthew North | .... | art department coordinator | |
| Al Roberts | .... | design assistant | |
| Catherine Samuel | .... | property buyer | |
| Phil Shellard | .... | stand-by props | |
| Shaun Williams | .... | storyboard artist | |
| Ellen Woods | .... | stand-by painter | |
Sound Department | |||
| Kelly-Marie Angell | .... | foley editor | |
| Julian Howarth | .... | sound recordist | |
| Paul Jefferies | .... | sound effects editor | |
| Paul McFadden | .... | supervising sound editor | |
| Tim Ricketts | .... | dubbing mixer | |
| Doug Sinclair | .... | sound editor | |
| Bryn Thomas | .... | boom operator | |
| Jeff Welch | .... | boom operator | |
| Julie Ankerson | .... | foley artist (uncredited) | |
| Howard Eaves | .... | sound editor (uncredited) | |
Special Effects by | |||
| Ben Ashmore | .... | special effects coordinator | |
| Henry Brook | .... | special effects technician | |
| Neill Gorton | .... | prosthetics designer | |
| Lotta Haggqvist | .... | on-set prosthetics supervisor (as Lotta Hagvist) | |
| Danny Hargreaves | .... | special effects technician | |
| Paul Kelly | .... | special effects supervisor | |
| Rob Mayor | .... | prosthetics supervisor | |
| Anthony Parker | .... | prosthetics technician | |
Visual Effects by | |||
| Tim Barter | .... | digital compositor | |
| Will Cohen | .... | visual effects producer | |
| Kate Cuffin | .... | compositor | |
| Dave Houghton | .... | visual effects supervisor | |
| Marie A. Jones | .... | visual effects producer (as Marie Jones) | |
| Arianna Lago | .... | digital compositor | |
| Marianne Paton | .... | visual effects production assistant | |
| Sara Bennett | .... | 2D visual effects supervisor (uncredited) | |
| Jean-Claude Deguara | .... | CG supervisor (uncredited) | |
| Nicolas Hernandez | .... | CG supervisor (uncredited) | |
| Rebecca Johnson | .... | visual effects coordinator (uncredited) | |
| Jenna Powell | .... | visual effects coordinator (uncredited) | |
| Neil Roche | .... | 3D artist (uncredited) | |
Stunts | |||
| Glenn Marks | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Ben Griffiths | .... | electrician | |
| Steven Hall | .... | camera operator: second unit | |
| Tom Hartley | .... | assistant camera | |
| Mark Hutchings | .... | gaffer | |
| Albert James | .... | practical electrician | |
| Clive Johnson | .... | electrician | |
| Steve Rees | .... | focus puller | |
| John Robinson | .... | grip | |
| Steve Slocombe | .... | best boy | |
| Jamie Southcott | .... | focus puller: second unit | |
Casting Department | |||
| Andy Brierley | .... | casting associate | |
| Kirsty Robertson | .... | casting associate | |
Costume and Wardrobe Department | |||
| Lindsay Bonaccorsi | .... | costume supervisor | |
| Sheenagh O'Maran | .... | costume assistant (as Sheenagh O'Marah) | |
| Marnie Ormiston | .... | assistant costume designer | |
| Kirsty Wilkinson | .... | costume assistant | |
Editorial Department | |||
| Mark Bright | .... | on-line editor | |
| Marie Brown | .... | post-production coordinator | |
| Tim Hodges | .... | assistant editor | |
| Matt Mullins | .... | assistant editor (as Matthew Mullins) | |
| Mick Vincent | .... | colorist | |
Music Department | |||
| Ron Grainer | .... | composer: original theme music | |
Transportation Department | |||
| Wayne Humphreys | .... | driver | |
| Malcolm Kearney | .... | driver | |
Other crew | |||
| Olivier Ager | .... | production accountant | |
| Lindsey Alford | .... | script editor | |
| Ailsa Berk | .... | choreographer | |
| Bethan Britton | .... | contracts assistant | |
| Lowri Denman | .... | runner | |
| Bronwen Evans | .... | location scout | |
| Siân Eve Goldsmith | .... | production runner | |
| Debi Griffiths | .... | production assistant | |
| Non Eleri Hughes | .... | continuity | |
| Kevin Myers | .... | production secretary | |
| Chris Rogers | .... | finance manager | |
| Julie Scott | .... | production executive | |
| Heddi-Joy Taylor | .... | runner | |
| Lowri Thomas | .... | location manager | |
| Christina Tom | .... | trainee: Cyfle | |
| Jess Van Niekerk | .... | production coordinator | |
| Endaf Emyr Williams | .... | senior production accountant | |
| Series Crew These people are regular crew members. Were they in this episode? |
Makeup Department | |||
| Stuart Bray | .... | special makeup supervisor | |
Second Unit Director or Assistant Director | |||
| Chris Hill | .... | third assistant director | |
| Alex Mercer | .... | third assistant director | |
Sound Department | |||
| Colin Cooper | .... | adr mixer | |
| Dave Humphries | .... | foley recordist | |
| Richard Ostroff | .... | boom operator | |
Special Effects by | |||
| Charlie Bluett | .... | special effects senior technician | |
| Benjamin M. Esterson | .... | special effects coordinator | |
Camera and Electrical Department | |||
| Gareth Hughes | .... | camera operator: second unit | |
Other crew | |||
| Ian Gruchfield | .... | brand manager: BBC | |
| Main series | Episode guide | Full cast and crew |
| IMDb TV section | IMDb Adventure section | IMDb UK section |
| Add this title to MyMovies |
Well well, Paul Cornell has cooked up another stonker here. This two-parter, and this episode in particular, is probably one of the best yet, second only, in my opinion, to the previous two season finales, and on a par with The Impossible Planet/Satan Pit. Of this series, only 42 has engrossed me more.
The main point of this episode is, of course, the Doctor becoming a slightly idiotic human to avoid the eponymous Family of Blood, Martha's struggle to make him realise who he really is again, and the importance of the watch that the Doctor stored himself inside. I won't say any more than that for the sake of spoiling what is truly a fantastic story. Every part of it is brilliantly executed - the script, the direction, the effects, and the aftermath.
Special mentions in this episode though, go to two people. Firstly, David Tennant, whose portrayal of the ordinary man struggling to come to terms with who he might be and what he has to do with everything is fantastic. Secondly, to Harry Lloyd, who plays Jeremy Baines, the ringleader of the Family. While he is relatively unknown as an actor - his only major role to date has been as Will Scarlet in the BBC's retake of Robin Hood - I can't think of any world-famous actor who would've fitted the part better than him. His performance is absolutely astonishing, he plays the mad eyes, frightening smile, and all round scariness of his character to utter perfection. He's probably been the scariest and most believable human-looking villain since the show was resurrected, with the possible exception of Roger Lloyd-Pack's John Lumic from last year. Maybe it's in the surname.
This is, without doubt, one of the best story lines seen in Doctor Who so far. And next week's 'Blink' looks like a cracker as well. Series 3 is storming towards being the best series yet, if it isn't already.