| David Tennant | ... | The Doctor / John Smith | |
| Freema Agyeman | ... | Martha Jones | |
| Jessica Hynes | ... | Joan Redfern | |
| Rebekah Staton | ... | Jenny | |
| Thomas Sangster | ... | Tim Latimer | |
| Harry Lloyd | ... | Baines | |
| Tom Palmer | ... | Hutchinson | |
| Gerard Horan | ... | Clark | |
| Lauren Wilson | ... | Lucy Cartwright | |
| Pip Torrens | ... | Rocastle | |
| Matthew White | ... | Phillips | |
| Derek Smith | ... | Doorman | |
| Peter Bourke | ... | Mr. Chambers |
| Episode Crew |
Directed by | |||
| Charles Palmer | |||
Writing credits | ||
| Paul Cornell | (written by) | |
Produced by | |||
| Phil Collinson | .... | executive producer | |
| Russell T. Davies | .... | executive producer | |
| Julie Gardner | .... | executive producer | |
| Susie Liggat | .... | producer | |
Original Music by | |||
| Murray Gold | |||
Cinematography by | |||
| Rory Taylor | (director of photography) | ||
Film Editing by | |||
| Matthew Tabern | |||
Casting by | |||
| Andy Pryor | |||
Production Design by | |||
| Edward Thomas | |||
Art Direction by | |||
| Arwel Jones | (supervising art director) (as Arwel Wyn Jones) | ||
Set Decoration by | |||
| David Morison | |||
Costume Design by | |||
| Louise Page | |||
Makeup Department | |||
| Pam Mullins | .... | makeup artist | |
| John Munro | .... | makeup artist | |
| Steven Smith | .... | makeup artist (as Steve Smith) | |
| Barbara Southcott | .... | makeup designer | |
Production Management | |||
| Chris Blatchford | .... | post-production supervisor | |
| Samantha Hall | .... | post-production supervisor | |
| Huw Jones | .... | unit manager | |
| Tracie Simpson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Sarah Davies | .... | third assistant director | |
| Richard Harris | .... | first assistant director | |
| Steffan Morris | .... | second assistant director | |
Art Department | |||
| Paul Aitken | .... | property master | |
| Adrian Anscombe | .... | chief property master | |
| Mark Cordory | .... | props maker | |
| Tim Dickel | .... | stand-by art director | |
| Rob Dicks | .... | design assistant | |
| Scott Fisher | .... | construction chargehand | |
| Bryan Griffiths | .... | stand-by rigger | |
| Penny Howarth | .... | props maker | |
| Matthew Hywel-Davies | .... | construction manager | |
| Allen Jones | .... | construction chargehand | |
| Barry Jones | .... | senior propmaker | |
| Paul Jones | .... | stand-by carpenter | |
| Jonathan Marquand Allison | .... | art department production manager | |
| Peter McKinstry | .... | design assistant | |
| Nick Murray | .... | stand-by props | |
| Stephen Nicholas | .... | chief supervising art director | |
| James North | .... | associate designer | |
| Matthew North | .... | art department coordinator | |
| Nicholas Robatto | .... | props maker (as Nick Robatto) | |
| Catherine Samuel | .... | property buyer | |
| Phil Shellard | .... | stand-by props | |
| Ellen Woods | .... | stand-by painter | |
Sound Department | |||
| Kelly-Marie Angell | .... | foley editor | |
| Julian Howarth | .... | sound recordist | |
| Paul Jefferies | .... | sound effects editor | |
| Paul McFadden | .... | supervising sound editor | |
| Tim Ricketts | .... | dubbing mixer | |
| Doug Sinclair | .... | sound editor | |
| Bryn Thomas | .... | boom operator | |
| Jeff Welch | .... | boom operator | |
| Julie Ankerson | .... | foley artist (uncredited) | |
| Howard Eaves | .... | sound editor (uncredited) | |
Special Effects by | |||
| Ben Ashmore | .... | special effects coordinator | |
| Henry Brook | .... | special effects technician | |
| Lisa Crawley | .... | prosthetics technician | |
| Neill Gorton | .... | prosthetics designer | |
| Lotta Haggqvist | .... | on-set prosthetics supervisor (as Lotta Hagvist) | |
| Danny Hargreaves | .... | special effects technician | |
| Paul Kelly | .... | special effects supervisor | |
| Rob Mayor | .... | prosthetics supervisor | |
Visual Effects by | |||
| Tim Barter | .... | digital compositor | |
| Will Cohen | .... | visual effects producer | |
| Kate Cuffin | .... | compositor | |
| Dave Houghton | .... | visual effects supervisor | |
| Marie A. Jones | .... | visual effects producer (as Marie Jones) | |
| Arianna Lago | .... | digital compositor | |
| Marianne Paton | .... | visual effects production assistant | |
| Sara Bennett | .... | 2D visual effects supervisor (uncredited) | |
| Jean-Claude Deguara | .... | CG supervisor (uncredited) | |
| Nicolas Hernandez | .... | CG supervisor (uncredited) | |
| Rebecca Johnson | .... | visual effects coordinator (uncredited) | |
| Jenna Powell | .... | visual effects coordinator (uncredited) | |
Stunts | |||
| Glenn Marks | .... | stunt coordinator | |
Casting Department | |||
| Andy Brierley | .... | casting associate | |
| Kirsty Robertson | .... | casting associate | |
Costume and Wardrobe Department | |||
| Lindsay Bonaccorsi | .... | costume supervisor | |
| Sheenagh O'Maran | .... | costume assistant (as Sheenagh O'Marah) | |
| Marnie Ormiston | .... | assistant costume designer | |
| Kirsty Wilkinson | .... | costume assistant | |
Editorial Department | |||
| Mark Bright | .... | on-line editor | |
| Marie Brown | .... | post-production coordinator | |
| Tim Hodges | .... | assistant editor | |
| Matt Mullins | .... | assistant editor (as Matthew Mullins) | |
| Mick Vincent | .... | colorist | |
Music Department | |||
| Ron Grainer | .... | composer: original theme music | |
Transportation Department | |||
| Wayne Humphreys | .... | driver | |
| Malcolm Kearney | .... | driver | |
Other crew | |||
| Olivier Ager | .... | production accountant | |
| Lindsey Alford | .... | script editor | |
| Ailsa Berk | .... | choreographer | |
| Kath Blackman | .... | contracts assistant | |
| Lowri Denman | .... | runner | |
| Bronwen Evans | .... | location scout | |
| Siân Eve Goldsmith | .... | production runner | |
| Debi Griffiths | .... | production assistant | |
| Non Eleri Hughes | .... | continuity | |
| Kevin Myers | .... | production secretary | |
| Chris Rogers | .... | finance manager | |
| Julie Scott | .... | production executive | |
| Heddi-Joy Taylor | .... | runner | |
| Lowri Thomas | .... | location manager | |
| Christina Tom | .... | trainee: Cyfle | |
| Jess Van Niekerk | .... | production coordinator | |
| Endaf Emyr Williams | .... | senior production accountant | |
| Series Crew These people are regular crew members. Were they in this episode? |
Makeup Department | |||
| Stuart Bray | .... | special makeup supervisor | |
Second Unit Director or Assistant Director | |||
| Chris Hill | .... | third assistant director | |
| Alex Mercer | .... | third assistant director | |
Sound Department | |||
| Colin Cooper | .... | adr mixer | |
| Dave Humphries | .... | foley recordist | |
| Richard Ostroff | .... | boom operator | |
Special Effects by | |||
| Charlie Bluett | .... | special effects senior technician | |
| Benjamin M. Esterson | .... | special effects coordinator | |
Camera and Electrical Department | |||
| Gareth Hughes | .... | camera operator: second unit | |
Other crew | |||
| Ian Gruchfield | .... | brand manager: BBC | |
| Main series | Episode guide | Full cast and crew |
| IMDb TV section | IMDb Adventure section | IMDb UK section |
| Add this title to MyMovies |
In the early 1990s Virgin books started to publish a range called The New Adventures Of Doctor Who . These so called New Adventures were supposed to continue the saga of DOCTOR WHO the television series but I never ever bought a copy because I didn't consider the range to be canonical and just seemed to be a way of parting fans of their money . They were just glorified fan fiction something I had zero interest . When the BBC confirmed one of the stories of series three was to b an adaptation of Paul Cornell's NA book Human Nature I rolled my eyes : " Couldn't they employ people to write original scripts ? " I asked myself . " Dear oh dear the show won't have long to survive if they've got to do this "
It seems after watching this episode that apologies of some sort are in order to the production team . Far from being a debacle of any sort Cornell and co have crafted a very sophisticated and intelligent piece of fantasy television . Not only that they succeeded in showing why DOCTOR WHO is the most remarkable show in the history of television . unlike the preceding episode 42 Human Nature is entirely original , it doesn't remind you of any story you have ever seen before . It's also an episode full of character development for the Doctor . Nostalgia plays a part too with a quick flashback sequence and a picture book reference to previous Doctors and adventures , along with an in joke to Sydney Newman and Verity Lambert . But perhaps the show's greatest strength is one of imagery and millions of children will never EVER look upon scarecrows in the same way again
There are one or two flaws to the story . One involves internal logic in that if the Doctor trusts Martha so much then why doesn't he let her keep the watch ? Talking of Martha it becomes clear that despite her best efforts Freema Agyeman seems to be spouting dialogue that was originally written for Rose Tyler and just to point out that she's not a lame reference to Martha being black is added . But these are minor flaws in an episode that rightly deserves to be called a classic