| Michael Gambon | ... | Elliot Graham | |
| Danny Lee Wynter | ... | Joe Dix | |
| Rupert Penry-Jones | ... | Richard Reece | |
| Kelly Reilly | ... | Charlotte | |
| Rebecca Hall | ... | Tina | |
| Clive Russell | ... | Dave | |
| Carolyn Pickles | ... | Mrs. Hopkins | |
| Caroline Lee-Johnson | ... | Sally Dix | |
| Alfie Allen | ... | Jason | |
| Celyn Jones | ... | Whittle | |
| Michelle MacErlean | ... | Patricia | |
| Graham Padden | ... | Foster | |
| Max Dowler | ... | Young Mr Graham | |
| Sarah Crowden | ... | Middle-Aged Woman | |
| Lourdes Faberes | ... | Laarni | |
| Belinda Stewart-Wilson | ... | Party Woman (as Belinda Stewart Wilson) | |
| Sam Bond | ... | Inventor | |
| Olivia Carruthers | ... | Dark Lady | |
| Kerry Lynn Hamilton | ... | Crying Woman (as Kerry Lyn Hamilton) | |
| Geoffrey Munn | ... | Antiques Expert | |
| rest of cast listed alphabetically: | |||
| Tom McKay | |||
| Michael Aspel | ... | Himself (uncredited) | |
Directed by | |||
| Stephen Poliakoff | |||
Writing credits(in alphabetical order) | ||
| Stephen Poliakoff | writer | |
Original Music by | |||
| Adrian Johnston | |||
Cinematography by | |||
| Danny Cohen | (director of photography) | ||
Film Editing by | |||
| Clare Douglas | |||
Casting by | |||
| Andy Pryor | |||
Costume Design by | |||
| Annie Symons | |||
Makeup Department | |||
| Sharon Martin | .... | makeup department head | |
Second Unit Director or Assistant Director | |||
| Adam Barrington | .... | third assistant director | |
| Edward Brett | .... | first assistant director | |
| Jeff Taylor | .... | second assistant director | |
Art Department | |||
| Simon Bailey | .... | property master | |
| Prue Howard | .... | assistant art director | |
| Kristin Theyers | .... | stand-by props | |
Sound Department | |||
| Paula Boram | .... | foley artist | |
| Tim Hands | .... | supervising sound editor | |
| Maurice Hillier | .... | sound recordist | |
| Tom Jessup | .... | boom operator | |
| Adrian Rhodes | .... | sound effects editor | |
| Simon Bysshe | .... | assistant sound (uncredited) | |
| Nick Kray | .... | adr recordist (uncredited) | |
| Gavin Rose | .... | foley editor (uncredited) | |
| Rachael Tate | .... | adr recordist (uncredited) | |
Camera and Electrical Department | |||
| Peter Byrne | .... | first assistant camera | |
| Abigail Catto | .... | assistant camera | |
| Camilla Drennan | .... | additional clapper loader | |
| Ewan MacNeil | .... | trainee grip | |
| Glen Milner | .... | daily camera trainee | |
| Scott Napier | .... | best boy | |
| Zac Nicholson | .... | camera operator: "a" camera | |
| Zac Nicholson | .... | steadicam operator | |
Casting Department | |||
| Vanessa Baker | .... | adr voice casting | |
| Andy Brierley | .... | casting assistant | |
| Brendan Donnison | .... | adr voice casting | |
Costume and Wardrobe Department | |||
| Jane Marcantonio | .... | costume assistant | |
Editorial Department | |||
| Erika Gonzales | .... | assistant editor | |
| Tom Kinnersly | .... | assembly editor | |
| Emma Lewis | .... | assistant post-production supervisor | |
| Tim Spencer | .... | archive editor | |
Music Department | |||
| P.J. Bloom | .... | music consultant | |
| Terry Davies | .... | conductor | |
| Steve Parr | .... | music recording mixer | |
Transportation Department | |||
| Bill Walker | .... | driver | |
Other crew | |||
| Daisy Caton-Jones | .... | daily floor runner | |
| Tina Falcone | .... | assistant accountant | |
| Daniel Jewel | .... | archive consultant | |
| Christopher Lahr | .... | production coordinator | |
| Emma Lewis | .... | assistant production coordinator | |
| Ewan MacNeil | .... | stand-in | |
| Stephen McDonogh | .... | legal & business affairs: BBC | |
| Colin Millar | .... | legal & business affairs: Talkback | |
| Simon Mills | .... | production runner | |
| Jason Sandeman-Allen | .... | assistant to director | |
| Toby Spanton | .... | floor runner: dailies | |
| Matt Storey | .... | key floor runner | |
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| Who Cares? | Friends & Crocodiles | Brimstone & Treacle | Bernard and Doris | Door Out of the Dark |
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| Full cast and crew | Company credits | IMDb Drama section |
| IMDb UK section | Add this title to MyMovies |
Michael Gambon is one of Britain's finest actors, and Stephen Poliakoff one of our more interesting dramatists; but rubbish is rubbish, and sadly, 'Joe's Palace' is not very good. Polliakoff has for a long time been interested in the aesthetics of aristocracy (and concordantly sympathetic to the beautiful), but in this film, he indulges these sentiments in the absence of any meaningful context. A reclusive billionaire does nothing with his life because he is consumed by what he fears his father might have done, although he apparently has no idea what this might have been; several historians fail to discover anything, but the girl from the local deli proves a better researcher than them and discovers that the father had been sympathetic to Nazi values; despite having always assumed that his Dad had been a Nazi collaborator anyway, this persuades the billionaire to think of suicide, although not very hard. Then he gives away a tiny proportion of his wealth (some things his father has stolen) and lives happily every after. Meanwhile, he employs a collection of social misfits (a familiar Poliakoff theme) to staff a huge London house he keeps empty; one of them, Joe, a young man with learning difficulties, is patronised by everyone telling him "what a bright boy" he is and watches silently everything that happens, commenting innanely in his diary but somehow becoming everyone's confident. A slick politician (played by Rupert Penry-Jones, who invests his lines with exaggerated faux-earnestness) and his beautiful mistress (plated by Kelly Reily, who emotes breathlessly but is also unconvincing), also feature for little apparent reason. Meanwhile, everywhere is empty: not just the house, but the streets and parks of London; in every scene, the background is blank, so the Polliakoff can maintain his trademark atmospherics, although you'll never see real life looking like this. The film as whole, meanwhile, is self-important but no less empty, devoid of real meaning and life, with no real dialogue (a scattering of monologues substitute for it) and, criminally for a film starring Gambon, desperately dull.