| Photos (see all 28 | slideshow) | Videos (see all 7 videos ) |
| Jet Li | ... | The Monkey King / The Silent Monk | |
| Michael Angarano | ... | Jason Tripitikas | |
| Jackie Chan | ... | Lu Yan / Old Hop | |
| Yifei Liu | ... | Golden Sparrow / Chinatown Girl | |
| Collin Chou | ... | Jade Warlord | |
| Juana Collignon | ... | Southie Girl | |
| Morgan Benoit | ... | Lupo | |
| Bingbing Li | ... | Ni Chang | |
| Jack Posobiec | ... | Southie | |
| Thomas McDonell | ... | Young Southie | |
| Zhi Ma Gui | ... | Old Woman | |
| Shen Shou He | ... | Farmer | |
| Bin Jiang | ... | Young Village Man | |
| Shaohua Yang | ... | Jade Soldier | |
| Yu Yuan Zeng | ... | Inn Keeper | |
| Deshun Wang | ... | Jade Emperor | |
| XiaoLi Liu | ... | Queen Mother | |
| Xiao Dong Mei | ... | Inn Keeper's Wife | |
| Mathew Tang | ... | Jade Officer #1 | |
| Jun Cheng Hong | ... | Jade Officer #2 | |
| Alan Ng | ... | Jade Officer #3 | |
| Michelle Du | ... | Painted Girl | |
| Yang Jun | ... | Herald #1 | |
| Crystal Kung | ... | Slave Girl | |
| Jeffrey Kung | ... | Herald #2 | |
| Jia Xu Wei | ... | Tracker | |
| Sheng Huang Ming | ... | Cult Killer #1 | |
| Rui Li | ... | Cult Killer #2 | |
| Long Zhang Fei | ... | Cult Killer #3 | |
| Cheng Luo | ... | Cult Killer #4 | |
| Xiao Zhou | ... | Cult Killer #5 | |
| Bin Lin Hai | ... | Cult Killer #6 | |
| Jie Zhi Hui | ... | Cult Killer #7 | |
| Ju Shi Xiao | ... | Golden Sparrow's Mother | |
| Meng Guo | ... | Young Golden Sparrow | |
| Lu Cui Wen | ... | Goat Herder | |
| Yong Li Xiao | ... | Young Monk #1 | |
| Zhen Zhang | ... | Young Monk #2 | |
| Xiao Keng Ye | ... | Abbot | |
| Wan Zhao Zi | ... | Medicine Monk | |
| Matthew Grant | ... | Paramedic | |
| Alexis Bridges | ... | Kam | |
| rest of cast listed alphabetically: | |||
| Jason Chong | ... | Lu Yan / Old hop | |
Directed by | |||
| Rob Minkoff | |||
Writing credits(WGA) | ||
| John Fusco | (written by) | |
Produced by | |||
| Nai Liang Chi | .... | line producer | |
| Raffaella De Laurentiis | .... | executive producer | |
| Scott Fischer | .... | co-producer | |
| Hester Hargett | .... | line producer | |
| Ryan Kavanaugh | .... | executive producer | |
| David U. Lee | .... | co-executive producer | |
| Philip Lee | .... | associate producer | |
| Jason C. Lin | .... | co-executive producer | |
| Michael Paseornek | .... | executive producer | |
| Casey Silver | .... | producer | |
| Solon So | .... | co-executive producer | |
| Lynwood Spinks | .... | executive producer | |
| Mathew Tang | .... | line producer | |
| Zhongjun Wang | .... | executive producer | |
| Woo-ping Yuen | .... | executive producer | |
Original Music by | |||
| David Buckley | |||
Cinematography by | |||
| Peter Pau | (director of photography) | ||
Film Editing by | |||
| Eric Strand | |||
Casting by | |||
| PoPing AuYeung | |||
| Nancy Foy | |||
Production Design by | |||
| Bill Brzeski | |||
Art Direction by | |||
| Eric Lam | |||
Set Decoration by | |||
| Bin Lan | |||
| Yu Ci Wen | |||
Costume Design by | |||
| Shirley Chan | |||
Makeup Department | |||
| Tony Acosta Jr. | .... | special makeup effects shop technician | |
| Crist Ballas | .... | special makeup effects artist | |
| Steve Buscaino | .... | special makeup effects shop technician | |
| Mark Garbarino | .... | special makeup effects designer | |
| Rufus Hearn | .... | prosthetic hair technician | |
| Brian Hillard | .... | special makeup effects shop technician: Mark Garbarino's Funhouse | |
| Greg Johnson | .... | special makeup effects shop technician | |
| James Kagel | .... | special makeup effects artist: sculptor | |
| Missy R. Russell | .... | special makeup effects coordinator | |
| Shaun Smith | .... | special makeup effects coordinator | |
| Dave Snyder | .... | special makeup effects artist | |
Production Management | |||
| Connie Cheung | .... | assistant production manager | |
| Hester Hargett | .... | unit production manager | |
| Steve Lionetti | .... | production supervisor | |
| Johnny Wang | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Matthew Feitshans | .... | key second assistant director | |
| Sharon Lam | .... | first assistant director: additional photography | |
| Jason Siu | .... | third assistant director | |
| Ken Siu | .... | first assistant director | |
| Dick Tso | .... | first assistant director | |
| Woo-ping Yuen | .... | action director | |
| Cindy Zhang Jiawei | .... | third assistant director | |
Art Department | |||
| Danielle Berman | .... | set decoration buyer | |
| Sherrie Dai | .... | assistant art director | |
| Andy Friend | .... | storyboard artist | |
| Delin Fu | .... | set designer | |
| Xiu Guo | .... | assistant art director | |
| David E. Harshbarger | .... | prop buyer | |
| Rong Hua | .... | buyer | |
| Hin Fat Hung | .... | property master | |
| Dao You Jiang | .... | action props | |
| Jeffrey Kong | .... | associate art director | |
| Kwok On Lau | .... | assistant property master | |
| Wai Ming Law | .... | assistant property master | |
| Tze Fung Li | .... | on-set dresser | |
| Zhi Kui Lu | .... | set designer | |
| Margo Kaczynska McKenzie | .... | key scenic artist | |
| Mark Pacella | .... | storyboard artist | |
| Domenico Reordino | .... | head painter | |
| Eduardo Sicangco | .... | illustrator | |
| Terry Siu | .... | assistant art director | |
| Ming Hua Tang | .... | action props | |
| Fu Kei Tse | .... | assistant property master | |
| Wei Min Wang | .... | set designer | |
| Wai Yan Wong | .... | on-set dresser | |
| Zhanjia Yang | .... | key set designer | |
| Yin Keung Yau | .... | assistant property master | |
| Wen Yi Zhang | .... | assistant property master | |
| Wu Jie Zhang | .... | action props | |
Sound Department | |||
| Tom Caton | .... | boom operator | |
| Justin Flynn | .... | mix assistant | |
| Yagmur Kaplan | .... | adr mixer | |
| Sylvain Loiseau | .... | post-production audio manager | |
| Robert Mackenzie | .... | re-recording mixer | |
| Ian McLoughlin | .... | re-recording mixer | |
| Peter Mills | .... | sound effects editor | |
| Jiajia Mok | .... | sound effects editor | |
| Glenn Newnham | .... | sound effects editor | |
| Roger Savage | .... | re-recording mixer | |
| Christopher Sheldon | .... | adr supervisor | |
| Jing Tao | .... | sound supervisor | |
| Andy Wright | .... | re-recording mixer | |
| David Wyman | .... | sound mixer | |
Visual Effects by | |||
| Brian Adler | .... | visual effects supervisor | |
| Jordan Bahat | .... | visual effects assistant | |
| Jeremy Ball | .... | visual effects coordinator | |
| Vanessa Cheung | .... | matte painter | |
| Tim Christensen | .... | digital compositor: Frantic Films | |
| Peter Demarest | .... | digital compositor | |
| Kent Estep | .... | digital effects supervisor | |
| Karin Eunson-Ross | .... | visual effects production manager: Frantic Films | |
| Mathew Giampa | .... | digital compositor | |
| Rocco Gioffre | .... | visual effects supervisor: Svengali FX | |
| Jeong Jaehoon | .... | visual effects artist | |
| Wonjo Jeong | .... | visual effects coordinator: Macrograph | |
| Youngho Je | .... | visual effects production manager: Macrograph | |
| Karin Joy | .... | visual effects producer | |
| Ko Eun Koni Jung | .... | visual effects coordinator | |
| Janghyung Kim | .... | senior effects technical director: Macrograph | |
| Jinny Ko | .... | effects technical director: Macrograph | |
| Mark A. Kolars | .... | visual effects supervisor | |
| Andrew H. Leung | .... | matte painter: Svengali FX | |
| Marcus LeVere | .... | senior visual effects artist | |
| Michele Moen | .... | concept illustrator: Svengali VFX | |
| Michele Moen | .... | matte painter: Svengali VFX | |
| Nicole Montemayor | .... | visual effects coordinator | |
| Youngkwan Oh | .... | visual effects coordinator: Macrograph | |
| Kiju Park | .... | visual effects producer: Macrograph | |
| Sungyong Park | .... | visual effects artist: Footage | |
| Jason Pelham | .... | visual effects editor | |
| Federico Rivia | .... | texture artist | |
| Nabil Schiantarelli | .... | senior compositor | |
| Randal Shore | .... | visual effects producer: Frantic Films | |
| Ron Simonson | .... | senior visual effects supervisor | |
| Elaine Essex Thompson | .... | visual effects producer | |
| Stefano Trivelli | .... | compositing supervisor: Svengali FX | |
| Jamie Venable | .... | visual effects producer: Svengali FX | |
| Sarah Vinson | .... | visual effects coordinator: Los Angeles | |
| Robert Grigsby Wilson | .... | visual effects assistant | |
| Danyo Donghyun Yoon | .... | pre-visualization artist | |
| Junshik-Raul Yun | .... | assistant visual effects editor | |
Stunts | |||
| Georgi Manchev | .... | stunt double | |
Camera and Electrical Department | |||
| Eric Aupetit | .... | dollyman: "b" camera | |
| Edmond Chan | .... | focus puller: "a" camera | |
| Luen Wai Chan | .... | dollyman: "a" camera | |
| You Liang Chen | .... | focus puller: "e" camera | |
| Sung Fai Choi | .... | camera operator: "b" camera | |
| Jimmy Fok | .... | key grip: "a" camera | |
| Kwong Yu Fung | .... | focus puller: "d" camera | |
| Patrick Ho | .... | camera operator | |
| Patrick Ho | .... | grip | |
| Louis Jong | .... | key grip: "b" camera | |
| Chan Heung Kong | .... | gaffer: "b" camera | |
| Jason Kwan | .... | camera operator: "e" camera | |
| Kenny Lam | .... | camera operator: "a" camera | |
| Tak-Shing Lee | .... | chief gaffer | |
| Wing Hong Leung | .... | focus puller: "c" camera | |
| Wing Hong Leung | .... | loader: "c" camera | |
| Shen Song Long | .... | focus puller: "b" camera | |
| Felipe Perez-Burchard | .... | HD coordinator | |
| Qing Zhang Xiao | .... | best boy electrician: "b" camera | |
| Wu Hua Zhang | .... | best boy electrician: "a" camera | |
Casting Department | |||
| Bryan Riley | .... | casting associate | |
Costume and Wardrobe Department | |||
| Pik Kwan Lee | .... | assistant costume designer | |
Editorial Department | |||
| Regan Copeland | .... | digital conformist | |
| Zach Fine | .... | second assistant editor | |
| John Nicolard | .... | digital intermediate supervisor | |
| David Rosenblatt | .... | first assistant editor | |
| Bill Schultz | .... | digital intermediate executive | |
| Don Shore | .... | post-production coordinator | |
| Walter Volpatto | .... | digital intermediate colorist | |
Music Department | |||
| Kirk Bennett | .... | orchestrator | |
| Nick Glennie-Smith | .... | composer: additional arrangements | |
| Nick Glennie-Smith | .... | conductor | |
| Harry Gregson-Williams | .... | score producer | |
| Tricia Holloway | .... | music team | |
| Scott Johnson | .... | assistant music editor | |
| Jamie Luker | .... | music scoring engineer | |
| Malcolm Luker | .... | music scoring mixer | |
| Abhay Manusmare | .... | digital score recordist | |
| Robert Puff | .... | music preparation | |
| Adam Milo Smalley | .... | music supervisor | |
Transportation Department | |||
| Mladen Cernjak | .... | transportation coordinator | |
| Nai Zeng Chi | .... | transportation captain | |
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| The Lord of the Rings: The Fellowship of the Ring | Willow | Wo hu cang long | The Chronicles of Narnia: The Lion, the Witch and the Wardrobe | Stardust |
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In gong-fu movie lore, it has long been foretold that one day two of the greatest stars of the genre would come together one day on the screen. That day has come in "The Forbidden Kingdom," which stars two of the latest and greatest stars of the martial arts movie genre - Jackie Chan and Jet Li.
Combined, both men's careers span over 30 years and over 100 movies, in their native China and here in the United States; that's a lot of kung-pow kicking and punching. They both decided to make their American crossovers around the same time during the 1990s - Chan's first hit in the U.S. was "Rumble in the Bronx" (1995) and became a mega-star due to the "Rush Hour" movies, while Li made his American debut as the lead villain in "Lethal Weapon 4" (1998), received his first English-speaking starring role in "Romeo Must Die" (2000), and earned critical respectability with "Unleashed" in 2005.
Now, we're at "The Forbidden Kingdom." I like both stars. My friends and I, like many other martial arts movie fans, have eagerly awaited this cinematic pairing for some time.
Starting in the present - 2008 - an American teenager named Jason (Michael Arangano) who has an obsession with gong-fu movies is magically transported back in time to ancient China by the long-lost staff of the fabled Monkey King (Li, in one of two roles in the film), where he learns he has been chosen to return it to him. 500 years earlier, the mischievous martial arts master Monkey King had been imprisoned in stone by the Jade Warlord (Collin Chou).
On his journey, Jason comes across the drunken beggar Lu Yan (Chan, in one of two roles in the film), who teaches him gong-fu so that he will be able to take on the Jade Army. They are also aided by The Silent Monk (Li, in his other role) and the orphan assassin Sparrow (Yifei Liu). There is one particularly funny sequence where Lu Yan and The Silent Monk fight over how to train Jason to defend himself - with Lu Yan's unorthodox methods and the Monk's more traditional approach.
"The Forbidden Kingdom" is one fast-paced and entertaining martial arts flick that keeps you watching just because of the know-it-all/seen-it-all before charisma of the star talent. With nods aplenty toward the martial arts movies of yesteryear (chiefly old-school Shaw Brothers movies, as well as plenty of helpings of Taoist philosophy and the Jeet Kune Do teachings of Bruce Lee), "The Forbidden Kingdom" is perhaps what Quentin Tarantino has fantasized so much about during countless cinema grind-house outings as an impressionable teenager and later as an adult realized on the screen in his "Kill Bill" films.
But Tarantino is nowhere in sight. Behind this production, is American screenwriter John Fusco (who based the script on the epic story "Journey to the West," which is cited as one of the four great novels of Chinese literature) and American director Rob Minkoff (of "The Lion King"). This production, put simply, is probably the best combination of American-Chinese talent since "Enter the Dragon" way back in 1973. Choreographing the fights with plenty of wire-work and CGI pizazz is Woo-ping Yuen, known for his work with both Chan and Li, as well as "The Matrix" (1999) and "Crouching Tiger, Hidden Dragon" (2000). It's pretty impressive that although it's fairly obvious that wires are being used in the fight scenes, it doesn't really take away from the action like it often tends to in American features, but actually enhances their intensity here.
I got a lot of enjoyment from watching "The Forbidden Kingdom" and watching the magnificent grace of Jackie Chan and Jet Li. Despite occasional script deficiencies, I found this picture working from the opening credits, which was a sure sign that what was about to come would surely satisfy the martial arts movie fan inside of me. For many martial arts movie fans, "The Forbidden Kingdom" may perhaps be the movie they've been waiting for since the untimely passing of Bruce Lee 35 years ago.
10/10