| Photos (see all 3 | slideshow) |
| Lorraine Stanley | ... | Kelly | |
| Johnny Harris | ... | Derek | |
| Georgia Groome | ... | Joanne | |
| Sam Spruell | ... | Stuart Allen | |
| Alexander Morton | ... | Duncan Allen | |
| Nathan Constance | ... | Chum | |
| Claudie Blakley | ... | Tracey | |
| Jamie Kenna | ... | Tony | |
| David Keeling | ... | Charlie | |
| Jack Deam | ... | Paul | |
| Chloe Bale | ... | Karen | |
| rest of cast listed alphabetically: | |||
| Louise Appel | ... | Debbie | |
| David Barker | ... | David | |
| James Beirman | ... | Kerb Crawler in Car - London | |
| Elisa Boyd | ... | Woman in Toilets (voice) | |
| Chiqui | ... | Exotic Dancer | |
| Su Douglas | ... | Gran | |
| Nick Ewans | ... | Kerb Crawler in Car - Brighton | |
| Tom Jude | ... | Taxi Driver | |
| Andy Lloyd | ... | Punter in Doorway | |
| Marianna Maniatakis | ... | Stoner Girl #2 | |
| Tim Matthews | ... | Shane | |
| Cat Meacher | ... | Street Prostitute | |
| Torq Pagdin | ... | Punter in Bedroom #2 | |
| Yasmin Pannell | ... | Stoner Girl #1 | |
| Paul Andrew Williams | ... | Punter in Bedroom #1 | |
Directed by | |||
| Paul Andrew Williams | |||
Writing credits(in alphabetical order) | ||
| Paul Andrew Williams | writer | |
Produced by | |||
| Tony Bolton | .... | executive producer | |
| Alastair Clark | .... | producer (as Al Clark) | |
| Gisela Evert | .... | executive producer | |
| Ken Marshall | .... | producer | |
| Rachel Robey | .... | producer | |
| Paul Trijbits | .... | executive producer | |
| Paul Andrew Williams | .... | producer | |
Original Music by | |||
| Laura Rossi | |||
Cinematography by | |||
| Christopher Ross | |||
Film Editing by | |||
| Tom Hemmings | |||
Casting by | |||
| Tania Polentarutti | |||
Production Design by | |||
| Jane Levick | |||
Art Direction by | |||
| Lizzie Dixon | |||
Costume Design by | |||
| Jane Levick | |||
Makeup Department | |||
| Mel Davey | .... | makeup department head | |
| Paul Hyett | .... | special makeup effects artist | |
Second Unit Director or Assistant Director | |||
| James Chesterton | .... | third assistant director | |
| Ben Childs | .... | third assistant director: additional photography | |
| Richard Jones | .... | additional first assistant director | |
| Sarah Mooney | .... | first assistant director | |
| Steve Truglia | .... | second unit director | |
Sound Department | |||
| Patrick Dodd | .... | supervising dialogue & adr editor | |
| Mustafa Durma | .... | sound editor | |
| Dado Jehan | .... | foley artist (as Dado Dzihan) | |
| Dan Johnson | .... | sound re-recording mixer | |
| Gareth Rhys Jones | .... | foley artist | |
| Srdjan Kurpjel | .... | sound re-recording mixer | |
| Srdjan Kurpjel | .... | supervising sound editor | |
| Mitch Low | .... | production sound mixer | |
| Emma Pegram | .... | assistant sound re-recording mixer | |
| Craig Rihoy | .... | additional sound | |
| Danton Tanimura | .... | sound editor | |
| Burak Topalakci | .... | sound effects editor | |
Special Effects by | |||
| David Payne | .... | special effects supervisor | |
Visual Effects by | |||
| Connan McStay | .... | visual effects editor | |
| Lara Zoe Northway | .... | digital intermediate assistant | |
Stunts | |||
| Steve Truglia | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Emma Assin | .... | assistant camera (as Emma Brown) | |
| Chris Boyce | .... | still photographer | |
| James Chesterton | .... | camera trainee: additional photography | |
| Christian Hayes | .... | electrician | |
| Andy McBrearty | .... | gaffer | |
| Will Petty | .... | camera trainee: re-shoot | |
| Ang Richards | .... | clapper loader | |
| Duncan Riedl | .... | electrician | |
| Amanda Smith | .... | still photographer | |
| John Watters | .... | camera operator | |
| Nathan Wiley | .... | first assistant camera | |
| Miles Willis | .... | still photographer | |
Editorial Department | |||
| Andrew Dearnley | .... | digital intermediate technician | |
| Joss Flores | .... | assistant digital intermediate colorist | |
| Matt James | .... | digital intermediate technician | |
| Gareth Parry | .... | on-line editor | |
| Andy Richards | .... | digital intermediate technician | |
| Katie Shahrokh | .... | post-production coordinator | |
| Tim Waller | .... | senior colorist | |
Other crew | |||
| Beth Charlesworth | .... | runner | |
| Ben Childs | .... | floor runner | |
| Casey Herbert | .... | production assistant | |
| Kerinne Jenkins | .... | production coordinator | |
| Joe Kotroczo | .... | production coordinator: additional photography | |
| Katherine Palmer | .... | location manager | |
| Jack Suckling | .... | location assistant | |
| Maximilian White | .... | script supervisor | |
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| Brighton Wok: The Legend of Ganja Boxing | Salaam Bombay! | Léon | The Departed | The Chronicles of Narnia: The Lion, the Witch and the Wardrobe |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb UK section | Add this title to MyMovies |
The fact that the Edinburgh International Film Festival bestowed their New Director award on Paul Andrew Williams is a solid enough indicator of the strengths and unique qualities of London TO BRIGHTON. Admittedly made on a shoe-string budget, and cast with relative unknowns, the film never once looks cheap or out of its depth. I was amazed when I saw it at Edinburgh by just how tough and unflinching a portrayal of the criminal underworld it is. The leads put in tremendous performances that will surprise many, and William's writing is exceptional. The film really zips along through its 90min length, and pulls the viewer in to a lock-tight embrace. In my opinion this film is one of the highlights of the year so far and a real find for the British film industry. For a first-time director working on a tiny budget, getting five star reviews in the Guarduan and Scotsman, and great praise from the Times is a hell of an achievement. I hope other people who love British cinema see it when it is theatrically released.