Middletown (2006)

Director:

Brian Kirk

Writer:

Daragh Carville (writer)

Release Date:

3 November 2006 (Ireland)

Genre:

Drama

Plot:

An overzealous priest returns to his home town and ends up battling against his brother for the heart of the locals.

Awards:

2 wins & 8 nominations

Cast

Matthew Macfadyen	...	Gabriel Hunter
Daniel Mays	...	Jim
Eva Birthistle	...	Caroline
Gerard McSorley	...	Bill Hunter
Richard Dormer	...	Ned
David Wilmot	...	Sammy
Mick Lally	...	Reverend Cray
Sorcha Cusack	...	Mrs. Lennon
David Herlihy	...	Bap Miller
Frankie McCafferty	...	Pokey
Bronagh Gallagher	...	Tessie
Charlene McKenna	...	Adele
Marie Jones	...	Agnes
Lalor Roddy	...	Bin
Tyrone McKenna	...	Young Gabriel

Runtime:

88 min

Country:

UK | Ireland

Language:

English

Color:

Color

Sound Mix:

Dolby Digital

Certification:

UK:15 | Ireland:15A

Filming Locations:

Belfast, County Antrim, Northern Ireland, UK

Company:

Green Park Films

Trivia:

The writer Daragh Carville can be seen briefly drinking a pint in one of the bar scenes.

Beautifully constructed, strikingly shot Gothic thriller.

Brian Kirk's debut feature is a beautifully constructed, strikingly shot Gothic thriller that has about it the whiff of ancient tragedy.

With classic simplicity the story focuses on a conflict between two brothers, a clash of values and faith that speaks to our own polarised world. As is suggested by its name, the town of the title could be anywhere in rural Ireland of the fifties, a rain-sodden, debilitating, grey knot of streets offering little in the way of hope. The church, which dominates the town as much as the pub, has been led for as long as anyone can remember by Reverend Cray (Mick Lally), a meek, gentle person who, as the film begins, passes the baton onto the incoming minister, Gabriel Hunter (Mathew MacFadyen).

Middletown is Gabriel's home, he is returning from a long absence to bring the word of god to his father Bill (Gerard McSorley) and brother Jim (Daniel Mays). What he finds here ignites a spark of righteous fury and indignation; his brother has shacked up with a woman who runs the tavern, in his eyes a den of iniquity and a malign influence on the impressionable townsfolk. Spurred on by this aberration, he vows to cleanse the populace of vice and sin, at whatever cost, a moral quest at potentially violent odds with his brother's secular choice of life.

This is taut, lean film-making without an ounce of fat on its windswept bones. Daragh Carville's measured screenplay builds on the initial premise, tightening the tension screws, until the finale reveals him to be a writer with the courage of his convictions. The chilly sense of time of place created by Kirk, the fine performances he has drawn from his actors, and the austere photography from Adam Suschitzky, which does beautiful things with the colour grey, combine to create an absorbing film whose message on the dangers of religious fundamentalism holds much currency. – David O Mahony (Dublin Event Guide)