| Photos (see all 22 | slideshow) | Videos |
| Roger Daltrey | ... | Himself | |
| Pete Townshend | ... | Himself | |
| John Entwistle | ... | Himself (archive footage) | |
| Keith Moon | ... | Himself (archive footage) | |
| Richard Barnes | ... | Himself | |
| Jeffrey Baxter | ... | Himself | |
| John Bundrick | ... | Himself | |
| Dougal Butler | ... | Himself | |
| Bill Curbishley | ... | Himself | |
| Heather Daltrey | ... | Herself | |
| The Edge | ... | Himself | |
| Christopher Entwistle | ... | Himself | |
| Lesley Fox | ... | Herself | |
| Noel Gallagher | ... | Himself | |
| Alan Garrison | ... | Himself | |
| Harvey Goldsmith | ... | Himself | |
| Diane Hatz | ... | Herself | |
| Glyn Johns | ... | Himself | |
| Queenie Johns | ... | Herself | |
| Kenney Jones | ... | Himself | |
| Steve Jones | ... | Himself | |
| Rob Ladd | ... | Himself | |
| Greg Lake | ... | Himself | |
| Mike McInnerney | ... | Himself | |
| Kathleen Moon | ... | Herself | |
| Pino Palladino | ... | Himself | |
| Bob Pridden | ... | Himself | |
| Alan Rogan | ... | Himself | |
| Mike Shaw | ... | Himself | |
| Billy Sheehan | ... | Himself | |
| Sean Smith | ... | Himself | |
| Christopher Stamp | ... | Himself (as Chris Stamp) | |
| Zak Starkey | ... | Himself | |
| Sting | ... | Himself | |
| David Swartz | ... | Himself | |
| Frank Simes | ... | Himself (as Frank Symes) | |
| Shel Talmy | ... | Himself | |
| Alan Tomkins | ... | Himself | |
| Simon Townshend | ... | Himself | |
| Eddie Vedder | ... | Himself | |
| Rick Wakeman | ... | Himself | |
| Alison Wise | ... | Herself | |
| Paul Crowder | ... | Narrator (voice) |
Directed by | |||
| Paul Crowder | |||
| Murray Lerner | |||
| Parris Patton | (segment "Who Art You?") | ||
Writing credits(in alphabetical order) | ||
| Mark Monroe | writer | |
Produced by | |||
| Tobin Armbrust | .... | co-executive producer | |
| Alexander Yves Brunner | .... | co-executive producer | |
| Bill Curbishley | .... | executive producer | |
| Guy East | .... | executive producer | |
| Ben Holden | .... | co-supervising producer | |
| Murray Lerner | .... | co-producer | |
| Tia Lessin | .... | consulting producer | |
| Agi Orsi | .... | supervising producer | |
| Robert Rosenberg | .... | executive producer | |
| Nigel Sinclair | .... | producer | |
| Larry Yelen | .... | associate producer | |
Cinematography by | |||
| Matteo Passigato | |||
Film Editing by | |||
| Paul Crowder | |||
| Pagan Harleman | |||
| David Zieff | |||
Production Management | |||
| Alexandra De La Vega | .... | post-production supervisor | |
| Agi Orsi | .... | unit production manager | |
| Cecy Rangel | .... | unit manager | |
Art Department | |||
| Paul S. Power | .... | storyboard artist (as Paul Power) | |
Sound Department | |||
| Stephanie Brown | .... | dialogue editor | |
| Kelly Butler | .... | sound recordist | |
| William R. Dean | .... | supervising sound editor | |
| Doug Dunderdale | .... | sound recordist | |
| Paul Hackner | .... | dialogue editor | |
| Harry Haese | .... | sound mixer | |
| Greg Hedgepath | .... | sound effects editor | |
| Matt Hedges | .... | sound editorial coordinator | |
| Matthew Iadarola | .... | additional re-recording mixer | |
| Ryan Maguire | .... | foley mixer | |
| James Morioka | .... | sound effects editor | |
| Tom Ozanich | .... | sound re-recording mixer | |
| Joan Rowe | .... | foley artist | |
| Sean Rowe | .... | foley artist | |
| Anthony Roza | .... | sound effects editor | |
| Patrick Weise | .... | apprentice sound editor | |
| Guy Willison | .... | sound recordist | |
| Drew Yerys | .... | sound effects editor | |
| John Zecca | .... | sound recordist | |
Camera and Electrical Department | |||
| Nick Doob | .... | camera operator (segment "Who's Back") | |
| Robert Elfstrom | .... | camera operator | |
| Tom Feldman | .... | gaffer | |
| Ron Geary | .... | grip electric | |
| Harry Haese | .... | focus puller | |
| Chris Hegedus | .... | camera operator (segment "Who's Back") | |
| Jay Hergot | .... | key grip | |
| Justin Kreutzmann | .... | camera operator | |
| Stephen Ley | .... | camera operator | |
| Josef Nalevansky | .... | camera operator | |
| Matteo Passigato | .... | camera operator | |
| D.A. Pennebaker | .... | camera operator (segment "Who's Back") | |
| William Turnley | .... | camera operator | |
| John Martin White | .... | camera operator | |
Editorial Department | |||
| Jason Barnoski | .... | assistant editor | |
| Michael Goren | .... | additional assistant editor (as Mike Goren) | |
| April Hayes | .... | additional assistant editor | |
| Derek Herr | .... | on-line editor | |
| Andrew Kimery | .... | assistant editor | |
| Peter Kwong | .... | additional first assistant editor | |
| Andy Lichtstein | .... | digital colorist | |
| Randy Magalski | .... | on-line editor | |
| Lara Mazzawi | .... | assistant editor | |
| Benjamin Murray | .... | on-line editor | |
| George Panos | .... | additional assistant editor | |
| Kristine Patnugot | .... | additional assistant editor | |
| Parris Patton | .... | additional editor | |
| Caitrin Rogers | .... | additional assistant editor | |
| Matthew Schmidt | .... | first assistant editor | |
| Stephen H. Sloan | .... | assistant editor | |
| Amber Taylor | .... | Account Manager (The Post Group ) | |
Music Department | |||
| Sharif Ahmed | .... | music clearances | |
| Paul B. Clay | .... | music mixer | |
Other crew | |||
| Fahed Alhabib | .... | production assistant | |
| Jesse Averna | .... | production assistant | |
| Edward Barlow | .... | production coordinator: Europe | |
| Ivy Kagan Bierman | .... | business affairs | |
| Cookie Brusa | .... | representative: Trinifold | |
| Leonardo Cellai | .... | production coordinator: Europe | |
| Kate Coe | .... | footage researcher | |
| Perry Joseph | .... | production coordinator: Europe | |
| Huttenberg Nassar | .... | production assistant | |
| Matthew Paine | .... | financial consultant | |
| Stephanie Palumbo | .... | production assistant | |
| Nigel Pearson | .... | business affairs | |
| Kathleen Phelan | .... | production accountant | |
| Juan Rodriguez | .... | production assistant | |
| Nick Ryle | .... | archive consultant | |
| Avital Shalev | .... | intern | |
| Allison Asay Sowers | .... | production coordinator: Los Angeles | |
| Allison Asay Sowers | .... | researcher | |
| Teresa Torchiano | .... | production assistant | |
Thanks | |||
| John Beug | .... | special thanks | |
| Barry W. Blaustein | .... | special thanks | |
| Tracy Bufferd | .... | special thanks: interviews | |
| Anita Camarata | .... | special thanks: interviews | |
| Myles Clarke | .... | special thanks | |
| Lisa Cole | .... | special thanks | |
| Kelly Curtis | .... | special thanks: interviews | |
| Roger Daltrey | .... | acknowledgment: photos courtesy of | |
| Jesse Dylan | .... | special thanks | |
| Nick Goderson | .... | special thanks | |
| Bob Gruen | .... | acknowledgment: photos courtesy of | |
| Nicola Joss | .... | special thanks | |
| Jon Larson | .... | special thanks | |
| Brian Loucks | .... | special thanks: interviews | |
| Paul McGuinness | .... | special thanks: interviews | |
| Frazer Pennebaker | .... | special thanks | |
| Stacy Peralta | .... | special thanks | |
| Aubrey Powell | .... | special thanks | |
| Neal Preston | .... | acknowledgment: photos courtesy of | |
| Hugh Rees-Parnell | .... | special thanks | |
| Marion Rosenberg | .... | special thanks | |
| Kathryn Schenker | .... | special thanks: interviews | |
| Sigurjon Sighvatsson | .... | special thanks | |
| Pete Townshend | .... | acknowledgment: photos courtesy of | |
| Nicole Vandenberg | .... | special thanks: interviews | |
| Baron Wolman | .... | acknowledgment: photos courtesy of | |
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Just saw Amazing Journey at the Toronto International Film Festival. I must admit that this was not a first pick as I was looking for something different for my closing day film.
Amazing Journey will be an orgasmic experience for Who devotees. The band went through several tragedies, including the deaths of Keith Moon and John Entwhistle. There were many violent fights between Roger Daltrey and Pete Townsend. Daltrey might have been the pretty boy frontman but Townsend was the artist, one who was deeply insecure about never being able to surpass the artistic merits of either Tommy or Quadrophenia.
In the end, what emerges is a portrait of young men who let music permeate their lives. It's really about one's passion towards one's craft. Yes, there are lots of indulgences along the way: expensive toys, women, sycophants, and drugs. But as we see with the maturing of the Daltrey and Townsend friendship, the journey is a tough but essential part of aging gracefully into the elder statesmen of rock.
The loss of Entwhistle was devastating for both men who already carried much guilt over the death of Keith Moon. They just didn't see the signs of Entwhistle's flirtations with drugs. He dies on the eve of a reunion tour and they go on because it's important to keep the memory alive.
It is great to know that such a testimony to this band is available. What a shame it would be for younger generations to only know them as the band that made theme songs for the CSI franchise.