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Man to Man (2005)
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Overview
User Rating:
Release Date:
13 April 2005 (France) moreGenre:
DramaPlot:
An epic about anthropologists who hunt and capture pygmies for study back in Europe, in an attempt to illustrate the link between man and ape. full summary | add synopsisAwards:
1 nomination moreNewsDesk:
(2 articles)
Multitude of Stars To Walk Down Berlin's Red Carpet (From Studio Briefing - Film News. 9 February 2005)
Spanish Director Wins Top Award at Palm Springs Festival
(From Studio Briefing - Film News. 18 January 2005)
User Comments:
The wild children more (8 total)Cast
(Cast overview, first billed only)| Joseph Fiennes | ... | Jamie Dodd | |
| Kristin Scott Thomas | ... | Elena Van Den Ende | |
| Iain Glen | ... | Alexander Auchinleck | |
| Hugh Bonneville | ... | Fraser McBride | |
| Lomama Boseki | ... | Toko | |
| Cécile Bayiha | ... | Likola | |
| Flora Montgomery | ... | Abigail McBride | |
| Patrick Mofokeng | ... | Zachary | |
| Alistair Petrie | ... | Beckinsale | |
| Hubert Saint-Macary | ... | Comte de Verchemont | |
| Mathew Zajac | ... | Hector Duncan | |
| William McBain | ... | Angus | |
| Robin Smith | ... | Douglas | |
| Theo Landey | ... | Purvis | |
| Ron Donachie | ... | Sir Walter Stephenson |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
122 minLanguage:
EnglishColor:
ColorAspect Ratio:
2.35 : 1 moreCertification:
Brazil:14 | Hungary:14 | Argentina:13 | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud)Fun Stuff
Trivia:
visa d'exploitation en France #97135 moreGoofs:
Anachronisms: When Likola shoots Douglas in the cage trap/fight scene, she is using a model 1873 Colt Single Action Army revolver (a.k.a. "The Peacemaker"), an evident mistake since the action is clearly stated to be set in the year 1870. moreSoundtrack:
Three blind mice moreFAQ
This FAQ is empty. Add the first question.more (8 total)
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Discuss this movie with other users on IMDb message board for Man to Man (2005)| Recent Posts (updated daily) | User |
|---|---|
| True Story? | ragavacharyar |
| Finally on DVD | luckard |
| Now shooting in Cornwall | tramsbottom |
| Official site | Serenella |
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| News articles | IMDb Drama section | IMDb France section |
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In 1969,Truffault made a movie about a wild child: a brat who,since he was a baby ,used to live in the woods.People took him to a hospital,where people would pay to see him like a queer animal.A doctor ,Itard knew that this child was a human being.He took him to his home and began to "tame" him.He realized that his protégé could tell right from wrong:he had proved he was a human like you or me.
Regis Wargnier tells a similar story with his couple of pygmies .He pits a loyal scientist (Fiennes) against the old guard who is still thinking that those natives are the missing link between the big apes and Lucy .Nowadays scientists tend to think that there is actually ONE race but it was the nineteenth century then.The story is never boring and features some good scenes: the natives in front of the sea saying "this is our river" ;the male pygmy climbing on the mast of the ship;the scene in the zoo where Fiennes "tames" his protégés and thus reveals they can think.
The main problem is that the movie is too "Hollywoodian" .Truffaut's work was produced by an American firm ,but he remained himself and his film was austere,realistic and accessible though.Wargnier's work is too flashy ,putting the emphasis on the good guy /"villains" fight and not giving enough time to Fiennes /the pygmies relationship.A firm friendship/ communication cannot be established overnight.It took time to Itard to gain Victor's trust (the wild child) ,and Annie Sullivan ("the miracle worker")had to fight (physically) to be able to communicate with Helen Keller.When Scott- Thomas tries to teach arithmetic (or tries to communicate through arithmetic:I've read that pygmies know only two numbers :one and many)to the pygmy woman ,the sequence is much too short.This is those scenes the film desperately needs.
Entertaining,but Regis Wargnier got caught up into the Hollywood machine.