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Kaena: La prophétie (2003)
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Overview
User Rating:
Release Date:
4 June 2003 (France) morePlot:
AXIS, a gigantic coiling plant, stretches high above the clouds... At its center is a village whose... more | add synopsisAwards:
1 win & 1 nomination moreUser Comments:
"Stunning visual effects" moreCast
(Cast overview, first billed only) | Cécile De France | ... | Kaena (voice: French version) |
| Michael Lonsdale | ... | Opaz (voice: French version) |
| Victoria Abril | ... | La reine (voice: French version) |
| François Siener | ... | Voxem (voice: French version) |
| Jean-Michel Farcy | ... | Assad (voice: French version) |
| Raymond Aquaviva | ... | Gommy (voice: French version) |
| Jean Piat | ... | Le grand prêtre (voice: French version) |
 | Kirsten Dunst | ... | Kaena (voice: English version) |
 | Richard Harris | ... | Opaz (voice: English version) |
 | Anjelica Huston | ... | Queen of the Selenites (voice: English version) |
 | Keith David | ... | Voxem (voice: English version) |
| Michael McShane | ... | Assad (voice: English version) |
 | Greg Proops | ... | Gommy (voice: English version) |
| Tom Kenny | ... | Zehos (voice: English version) |
 | Tara Strong | ... | Essy (voice: English version) |
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Additional Details
Also Known As:
Axis (USA) (working title)Gaïna (France) (working title)
Kaena: The Prophecy (USA)
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MPAA:
Rated PG-13 for sensuality and some frightening images.Parents Guide:
Add content advisory for parentsRuntime:
85 minColor:
ColorMOVIEmeter: 
18% since last week
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Fun Stuff
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Was made using the same computer programming as the movie sequences in video games. moreFAQ
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That was the caption in the cable guide that got my attention. OK, so I'm a frustrated artist who can really appreciate the end result of CGI work. And it keeps getting better and better with each new release. I just caught this one on cable and missed it at the "one theater" that IMDb says it was shown at. Sure, the storyline has gaps and the characters could use more development but the artwork is state of the art and phenomenal. From an artist's point of view, drawing 16 frames per second to simulate motion has always been an overwhelming task but not with computers. It still takes an army of programmers but what they're doing today was impossible just a short time ago. The freedom of expression as evidenced by this work is truly unlimited. Every scene had me in awe. The delicate motion of bodies and fluids was mesmerizing. Now if they can only get people to look like real people instead of textured geometric shapes. One can only dream.