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Femme Fatale (2002)
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Overview
User Rating:
Release Date:
6 November 2002 (USA) moreTagline:
Nothing is more desirable or more deadly than a woman with a secretPlot:
A woman tries to straighten out her life, even as her past as a con-woman comes back to haunt her. full summary | add synopsisAwards:
1 win & 1 nomination moreNewsDesk:
(10 articles)
Birthday Suit: Shapeshifters (From FilmExperience. 6 November 2009, 12:48 PM, PST)
ABC pilot bewitches Rebecca Romijn
(From Hitfix. 9 March 2009, 10:01 PM, PDT)
User Comments:
Well crafted and finely detailed more (219 total)Cast
(Cast overview, first billed only)| Rebecca Romijn | ... | Laure / Lily (as Rebecca Romijn-Stamos) | |
| Antonio Banderas | ... | Nicolas Bardo | |
| Peter Coyote | ... | Watts | |
| Eriq Ebouaney | ... | Black Tie | |
| Edouard Montoute | ... | Racine | |
| Rie Rasmussen | ... | Veronica | |
| Thierry Frémont | ... | Serra (as Thierry Fremont) | |
| Gregg Henry | ... | Shiff | |
| Fiona Curzon | ... | Stanfield Phillips | |
| Daniel Milgram | ... | Pierre / Bartender | |
| Jean-Marc Minéo | ... | Seated Guard (as Jean-Marc Mineo) | |
| Jean Chatel | ... | Cannes Commentator | |
| Stéphane Petit | ... | Bodyguard One (as Stephane Petit) | |
| Olivier Follet | ... | Bodyguard Two | |
| Eva Darlan | ... | Irma |
Additional Details
MPAA:
Rated R for strong sexuality, violence and language.Parents Guide:
View content advisory for parentsRuntime:
114 minCountry:
FranceColor:
ColorAspect Ratio:
1.85 : 1 moreCertification:
Canada:13+ (Quebec) | Canada:14 (Nova Scotia) | Canada:18A (Alberta/British Columbia) | Canada:AA (Ontario) | Canada:PA (Manitoba) | Switzerland:16 (canton of Zurich) | Iceland:16 | Finland:K-15 | Portugal:M/12 | South Korea:18 | Singapore:M18 (re-rating) | Argentina:13 | Australia:MA | Brazil:16 | Chile:14 | France:U | Germany:16 | Netherlands:16 | New Zealand:R18 | Norway:15 | Peru:14 | Singapore:R(A) | Spain:13 | Sweden:15 | Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud) | UK:15 | USA:R | Philippines:R-18Fun Stuff
Trivia:
The plane ticket that Lily takes is from the fictitious Quinta Airlines. Quinta Communications is the company that produced the film. moreGoofs:
Factual errors: Following the initial heist scene at the beginning of the film, Black Tie says, "The bitch double-crossed us," in French. But the subtitles translate it as "The bitched double-crossed us". moreSoundtrack:
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You really have to admire Brian DePalma as a director. He's directed some of the finest thrillers in the last 30 years and even his misfires are interesting to watch like "Snake Eyes". I really enjoyed how well made this film is. If you don't like the story, thats your business. But this film is so finely detailed and shot that I put it in the same boat as "Mulholland Dr." and "Blackhawk Down". Interesting films that some viewers had mixed reactions to but the direction of these films was so expertly crafted that even the most ardent critics had to admit to the talent of the director. This film starts out at the Cannes Film Festival where a group of thieves are attempting to steal some diamonds off of a model by having Laure Ash (Rebecca Romijn-Stamos) seduce her in a lesbian encounter in the ladies bathroom. Things go wrong and Laure takes off with the diamonds. Seven years later Laure is married to an American diplomat and is in Paris with her husband when a papparazzi named Nicolas (Antonio Banderas) takes a picture of her. She doesn't want to be photographed because the former members of her gang are still looking for her. What I have just mentioned is just scratching the surface. This is a psychological thriller that has so many twists and turns that the casual film viewer will probably be in over their head. But this is a film that gives many hints along the way as you watch it. You have to pay attention to this film and one key scene takes place when Laure and Nicolas are having coffee in a cafe. Laure is sitting next to the window. Outside, a poster is being put up for a film called "Deja Vu" and the reflection of Laure on the glass is centered in the middle of the poster. DePalma uses many overhead shots to allow the viewer to get full view of certain scenes. Some viewers and critics have said they were disappointed with the casting but I admire the job that Rebecca did for this film. Okay, she's not Jodie Foster as far as being an actress is concerned but Foster couldn't exude sexuality like this if her life depended on it either. I thought it was believable that her character could manipulate Nicholas the way she did. How could he not? She was a combination of sexuality and vulnerability inside a very smart and devious mind. And for a film called "Femme Fatale" you had better find an actress that is smart and utterly beautiful at the same time. I found her performance to be bold and brave. DePalma uses each shot to send signals relating to the story. It sounds like a very difficult shoot because each scene has so much meaning. He doesn't have cameras following characters for nothing. Each shot has a reason. The details to this filming are enormous and difficult. DePalma again shows us the attention to details of his complex artistry. If your one of those shallow film watchers that only views films from the incredible mediocrity of Hollywood than your probably going to be lost watching this film. For the viewers that remember and care about risk taking when making movies, than you can appreciate the effort made by DePalma. If you don't like it, thats okay. But you should appreciate his effort and nerve as a director.