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Les marchands de sable (2000)
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Overview
User Rating:
Release Date:
5 July 2000 (France) moreUser Comments:
enter sandmen more (2 total)Cast
(Credited cast)| Mathieu Demy | ... | Antoine | |
| Marina Golovine | ... | Marie | |
| Serge Riaboukine | ... | Alain | |
| Patrick Lizana | ... | Xavier | |
| Guillaume Depardieu | ... | Stéphane | |
| Michèle Moretti | ... | Annick | |
| Robert Castel | ... | Damien | |
| Yann Hnautra | ... | Marc | |
| Renaud Ménager | ... | Pierre | |
| Julie Depardieu | ... | Catherine | |
| Blandine Pélissier | ... | Cliente du bar | |
| Camille Bazbaz | ... | Singer at club | |
| rest of cast listed alphabetically: | |||
| Mathieu Archer | ... | Le policier 1 | |
| Baldo | ... | Le cuistot du Détour | |
| Aude Briant | ... | La prostituée | |
| Didier Brice | ... | L'homme à l'enveloppe | |
| Erwan Creignou | |||
| Mohamed Damraoui | ... | Le client joueur | |
| Gérard David | ... | Le barman de la boîte de nuit | |
| Anouk Halter | ... | La caissière du Multicolor | |
| Patrick Kodjo Topou | ... | Gaby, le dealer | |
| Patrick Lambert | ... | Le vigile du multicolore | |
| Janice Leca | ... | Orchestre Choriste | |
| Florence Mazure | ... | La cliente ivre | |
| Sophie Millet | ... | La secrétaire de Damien | |
| Christian Monthieux | ... | Orchestre Percussions | |
| Vincent Montignon | ... | Le jeune inspecteur | |
| Armelle Morlan | ... | La cliente Rotonde Hébertine | |
| Igor Nikitinovski | ... | Orchestre Clavier basse | |
| Serge Pinson | ... | Simon, le mari d'Annick | |
| Yarol Poupaud | ... | Orchestre Guitare | |
| Christiane Prince | ... | Orchestre batterie | |
| Olivia Razafnorakoto | ... | Orchestre Choriste | |
| Antoine Régent | ... | Le policier main courante | |
| Alain Zita | ... | L'inspecteur de police déposition | |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
102 minCountry:
FranceLanguage:
FrenchColor:
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This movie was first released on French-German TV channel Arte in a shorter version under the title Le détour (2000) (TV). moreFAQ
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When it comes to pen and produce genuine comedies such as "Cible Emouvante" (1993), "les Apprentis" (1995) or "Comme Elle Respire" (1998), Pierre Salvadori is a reliable supplier of the genre. "Les Marchands De Sable" is his first foray in the film noir genre and one could have feared that by plumping for a totally different cinematographic choice, it might have led on an artistic deadlock for him. There's nothing of the sort. This endearing director wasn't on the wrong track and his venture is every bit as successful as the crop of graceful comedies he left us. I can only write that he well assimilated the film noir methodology.
The director cleverly employs the scenery and lighting (in several shots, he admirably plays on the opposite between light and obscurity) to conjure up a stifling, sticky atmosphere and storytelling, barely soothed by a somewhat jerky reggae music. Under his camera, this popular neighborhood in Paris with the two cafés as the central places conceals bribery, injustice, drug traffic and formidable evil forces. Gloomy features that deftly integrate in a shrewd development of the narration with zones of shadow: was Antoine's death a willful murder or an accident? Strong scenes command admiration: the walk of Antoine in the street shortly before his death, the moment when Annick (Michèle Moretti) unveils to Alain (Serge Riaboukine) what lies beneath the calm appearance of her bar. All in all, virtually all the characters are more victims of a devilish system that inevitably leads to death or madness.
The cast lives up to this dusky film noir. Guillaume Depardieu and Serge Riaboukine had already teamed up with Pierre Salvadori before and once again, one can't deny their strong acting.
The golden age of the film noir in France was in the forties and fifties with two prestigious names: Henri-Georges Clouzot and Julien Duvivier. Nowadays, this genre isn't that much pored over by French directors and good French film Noirs tend to be more and more rare. So, it would be a shame to skip it Pierre Salvadori's work that doesn't break new ground but is made with care and respect.