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The Sweet Hereafter (1997)
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Overview
User Rating:
Release Date:
21 November 1997 (USA) moreTagline:
There is no such thing as the simple truth.Plot:
This film documents the effects of a tragic bus accident on the population of a small town. full summary | add synopsisAwards:
Nominated for 2 Oscars. Another 29 wins & 20 nominations moreNewsDesk:
(8 articles)
Canadian Filmmakers Outraged By Ban (From Studio Briefing. 24 November 2000)
Cameron's Next Film May Be Less Than Titanic-Sized (From Studio Briefing. 12 June 1998)
User Comments:
Tragic and beautiful masterpiece moreCast
(Cast overview, first billed only)| Ian Holm | ... | Mitchell Stevens | |
| Caerthan Banks | ... | Zoe Stevens | |
| Sarah Polley | ... | Nicole Burnell | |
| Tom McCamus | ... | Sam Burnell | |
| Gabrielle Rose | ... | Dolores Discolt | |
| Alberta Watson | ... | Risa | |
| Maury Chaykin | ... | Wendell | |
| Stephanie Morgenstern | ... | Allison | |
| Kirsten Kieferle | ... | Stewardess | |
| Arsinée Khanjian | ... | Wanda | |
| Earl Pastko | ... | Hartley | |
| Simon Baker | ... | Bear | |
| David Hemblen | ... | Abbott | |
| Bruce Greenwood | ... | Billy | |
| Sarah Rosen Fruitman | ... | Jessica |
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Additional Details
MPAA:
Rated R for sexuality and some language.Parents Guide:
Add content advisory for parentsRuntime:
112 minCountry:
CanadaLanguage:
EnglishColor:
ColorAspect Ratio:
2.35 : 1 moreSound Mix:
Dolby DigitalCertification:
Hong Kong:IIB | Iceland:12 | Singapore:NC-16 | Argentina:16 | Australia:M | Brazil:16 | Canada:14A | Chile:18 | Germany:12 | Netherlands:16 | Norway:15 | Portugal:M/12 | Singapore:R(A) | Spain:13 | Sweden:11 | Switzerland:16 | UK:15 | USA:RMOVIEmeter: 
Fun Stuff
Trivia:
Premiere voted this movie as one of "The 25 Most Dangerous Movies". moreGoofs:
Audio/visual unsynchronized: When Stephens visits the Ottos, and Mr. Otto offers him some tea, we hear a teakettle whistling but the one we see on the cooker is not the whistling type. moreQuotes:
Nicole: As you see her, two years later, I wonder if you realize something. I wonder if you understand that all of us - Dolores, me, the children who survived, the children who didn't - that we're all citizens of a different town now. A place with its own special rules and its own special laws. A town of people living in the sweet hereafter. moreSoundtrack:
Courage moreFAQ
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The Sweet Hereafter is as tragic, sad and matter-of-fact as movies get, but it's still so very beautiful that it becomes a film that's virtually impossible to forget.
The story makes no secret of the fact what terrible tragedy will happen, right from the outset. A lesser filmmaker than Atom Egoyan would've jumped at the chance to shock the audience with the freak accident that robs the town of Sam Dent of nearly all their children, by telling the story in a linear fashion. Not Egoyan. The story is fragmented, thus enhancing the true point: This is not about the overwhelming power of loss, it is about the overwhelming power of survivor's guilt (nicely represented in Browning's poem The Pied Piper Of Hamelin, which is referred to in the movie). It's all about people who grieve not only for the ones they've lost, but also for themselves, how empty their lives have become because of their tragedies. In focussing on that point, the film refrains from manipulative sentiment (which so many others don't), and presents true and unintrusive emotion, that, in the end, despite all the terror, shines a light of hope, for the sweet hereafter is not only the peaceful afterlife, it's also the peaceful future, the continuation of life...
The performances speak for themselves. Ian Holm and Sarah Polley shine in particular, through nicely subdued and subtle acting. Polley also excels as a fantastic singer-songwriter. The songs in the movie were written and performed all by herself.
Egoyan's direction is simply masterful in its beauty, elegance and evocation.
One of the best films of the 1990s.
10 out of 10.