8 out of 10 people found the following comment useful :- Modern Robin Hoods Bound for Patagonia, 27 March 2005
Author:
from Portland, Oregon
Sometimes it seems hard to find an Argentine movie released in the last
25 years with a plot that doesn't depend on corruption or economic
crisis.
"Wild Horses" was made in 1995, a time of relative prosperity for
Argentina, so it's corruption, not an economic crisis that leads old
anarchist Jose (Hector Alterio) to threaten to shoot himself unless a
large bank in Buenos Aires returns the $15,000 he lost years before
because of the institution's shady practices.
Pedro (Leonardo Sbaraglia) is the yuppie executive chosen by Jose to
turn over the money. The two leave the bank with a far larger sum and
soon find themselves together on the road bound for Patagonia, pursued
by police and paid assassins, and cheered on by the poor and the media
as modern-day Robin Hoods.
Unlikely as this story sounds, it works well enough, thanks to great
acting by Alterio. Director Marcelo Pineyro also keeps everything
moving along fast enough so that we don't dwell on the occasional plot
holes. Federico Luppi pops up at the end of the picture in a wonderful
cameo. His performance alone is worth the price of admission.
7/10
5 out of 5 people found the following comment useful :- Fugitives, 12 May 2007
Author:
jotix100 from New York
*** This comment may contain spoilers ***
There is a lot to admire in director's Marcelo Pineyro's 1995 film
"Caballos salvajes". Mr. Pineyro, one of the best men in the business
in Argentina, shows he had a lot to show with the material written by
Aida Bortnik and the director.
The film presents us two men, as different from day and night, from
different backgrounds and ages. Jose, the older man, wants to take
things into his own hands, making sure to get back the money the bank
took away from him. Pedro, the young bank employee, is the innocent
victim, being in the wrong place, at the wrong time. Imagine the men's
surprise when they find $500,000.00 dollars in a place where neither
knew about.
Jose, who holds Pedro as hostage, evidently had a definite plan of what
he is going to do with the money the bank stole from him. What he
didn't count on was the power of television and how he and Pedro become
sort of "folk heroes" for breaking into the bank, and getting away with
it. As a young reporter and his assistant follow the two men, they
manage to get away with it, enlisting friends along the way. Ana, a
young woman they meet by chance, becomes a member of the fugitives
working their way to Jose's intended destination. The film becomes a
road film with surprising twists along the way.
The main reason for watching this film the excellent work of both,
Hector Alterio and Leonardo Sbaraglia. Both actors show an easy
chemistry and compliment one another in ways probably Mr. Pineyro
didn't envision. Mr. Alterio, one of the pillars of the modern
Argentine cinema, is a joy to watch. Mr. Sberaglia also shows why he
has become an actor in great demand in his own country, as well as in
Spain. Cecilia Dopazo, who is seen in the pivotal role of Ana, makes a
valid contribution. Federico Luppi and Cipe Linkovski, excellent
actors, have small roles in the latter part of the film.
While "Caballos salvajes" stays with its action on the road, it makes
for a wonderful movie. The last section of the film shows both Mr.
Pineyro and Ms. Bortnik running out of ideas as they turn to
sentimentality to explain the wonderful film that preceded. Aside from
this happy ending, "Caballos salvajes" surprises in every level because
of the joyous teaming of two of intelligent actors who exceed what the
director was trying to accomplish.
8 out of 11 people found the following comment useful :- Patagonian cure against cynicism, 28 May 2003
Author:
alonsanfan from Santiago, Chile
An idealist movie as there ever was, "caballos salvajes" (Wild horses),
truly captures an specific feeling in argentinian cinema.
Similar in spirit to the movies of Adolfo Aristaráin, it is the story
about
an old suicidal anarchist (Hector Alterio) who recovers his soul, and yes,
it is a very soulful movie.
Not a movie made to win festivals or to make well deserved cash, Caballos
Salvajes is political at times, but also poignant and inspiring,
nonetheless
it's a road movie, with trepidant action and a heart of gold.
A life affirming flick for anyone who feels a little lost (although not a
septuagenarian myself, I can relate), but also a great portrait of
Argentina
in the 1990s. A must see, anyway.
4 out of 4 people found the following comment useful :- the police and the mob are looking for them, the people unites to help them escape, 13 January 2002
Author:
isaias adames from santo domingo, dominican republic
*** This comment may contain spoilers ***
This movie is fantastic. There are unexpected amazing things which
happen at the start of the movie that make up for rest of it and make
you feel like you don't need to see further.
It is the story of Jose, a very decent man, not a thief at all, who
goes to a bank to ask for $13,314 he was stolen by this bank for 18
years or he shoots himself.
It is also the story of Pedro, the bank clerk who empties all the money
in the Bank's Vice-President desk into Jose's bag. After this he
pretends to be taken hostage by Jose to help him escape. Once on the
run, they realize they've taken 500,000 dollars which belong to the
mob. Jose only wants the the $13,314 he is owed.
Joined by a young girl they meet on the way, The Indomables(the
untamed), as they are called, begin an intense voyage of friendship,
adventure and solidarity from lots of people they meet along the way.
Their goal: Getting from Buenos Aires to a small border town with
Brazil, where Jose has unfinished business.
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Caballos salvajes (1995)
8 out of 10 people found the following comment useful :-

Modern Robin Hoods Bound for Patagonia, 27 March 2005
Author: from Portland, Oregon
Sometimes it seems hard to find an Argentine movie released in the last 25 years with a plot that doesn't depend on corruption or economic crisis.
"Wild Horses" was made in 1995, a time of relative prosperity for Argentina, so it's corruption, not an economic crisis that leads old anarchist Jose (Hector Alterio) to threaten to shoot himself unless a large bank in Buenos Aires returns the $15,000 he lost years before because of the institution's shady practices.
Pedro (Leonardo Sbaraglia) is the yuppie executive chosen by Jose to turn over the money. The two leave the bank with a far larger sum and soon find themselves together on the road bound for Patagonia, pursued by police and paid assassins, and cheered on by the poor and the media as modern-day Robin Hoods.
Unlikely as this story sounds, it works well enough, thanks to great acting by Alterio. Director Marcelo Pineyro also keeps everything moving along fast enough so that we don't dwell on the occasional plot holes. Federico Luppi pops up at the end of the picture in a wonderful cameo. His performance alone is worth the price of admission.
7/10
5 out of 5 people found the following comment useful :-

Fugitives, 12 May 2007
Author: jotix100 from New York
*** This comment may contain spoilers ***
There is a lot to admire in director's Marcelo Pineyro's 1995 film "Caballos salvajes". Mr. Pineyro, one of the best men in the business in Argentina, shows he had a lot to show with the material written by Aida Bortnik and the director.
The film presents us two men, as different from day and night, from different backgrounds and ages. Jose, the older man, wants to take things into his own hands, making sure to get back the money the bank took away from him. Pedro, the young bank employee, is the innocent victim, being in the wrong place, at the wrong time. Imagine the men's surprise when they find $500,000.00 dollars in a place where neither knew about.
Jose, who holds Pedro as hostage, evidently had a definite plan of what he is going to do with the money the bank stole from him. What he didn't count on was the power of television and how he and Pedro become sort of "folk heroes" for breaking into the bank, and getting away with it. As a young reporter and his assistant follow the two men, they manage to get away with it, enlisting friends along the way. Ana, a young woman they meet by chance, becomes a member of the fugitives working their way to Jose's intended destination. The film becomes a road film with surprising twists along the way.
The main reason for watching this film the excellent work of both, Hector Alterio and Leonardo Sbaraglia. Both actors show an easy chemistry and compliment one another in ways probably Mr. Pineyro didn't envision. Mr. Alterio, one of the pillars of the modern Argentine cinema, is a joy to watch. Mr. Sberaglia also shows why he has become an actor in great demand in his own country, as well as in Spain. Cecilia Dopazo, who is seen in the pivotal role of Ana, makes a valid contribution. Federico Luppi and Cipe Linkovski, excellent actors, have small roles in the latter part of the film.
While "Caballos salvajes" stays with its action on the road, it makes for a wonderful movie. The last section of the film shows both Mr. Pineyro and Ms. Bortnik running out of ideas as they turn to sentimentality to explain the wonderful film that preceded. Aside from this happy ending, "Caballos salvajes" surprises in every level because of the joyous teaming of two of intelligent actors who exceed what the director was trying to accomplish.
8 out of 11 people found the following comment useful :-

Patagonian cure against cynicism, 28 May 2003
Author: alonsanfan from Santiago, Chile
An idealist movie as there ever was, "caballos salvajes" (Wild horses), truly captures an specific feeling in argentinian cinema.
Similar in spirit to the movies of Adolfo Aristaráin, it is the story about an old suicidal anarchist (Hector Alterio) who recovers his soul, and yes, it is a very soulful movie. Not a movie made to win festivals or to make well deserved cash, Caballos Salvajes is political at times, but also poignant and inspiring, nonetheless it's a road movie, with trepidant action and a heart of gold.
A life affirming flick for anyone who feels a little lost (although not a septuagenarian myself, I can relate), but also a great portrait of Argentina in the 1990s. A must see, anyway.
4 out of 4 people found the following comment useful :-

the police and the mob are looking for them, the people unites to help them escape, 13 January 2002
Author: isaias adames from santo domingo, dominican republic
*** This comment may contain spoilers ***
This movie is fantastic. There are unexpected amazing things which happen at the start of the movie that make up for rest of it and make you feel like you don't need to see further.
It is the story of Jose, a very decent man, not a thief at all, who goes to a bank to ask for $13,314 he was stolen by this bank for 18 years or he shoots himself.
It is also the story of Pedro, the bank clerk who empties all the money in the Bank's Vice-President desk into Jose's bag. After this he pretends to be taken hostage by Jose to help him escape. Once on the run, they realize they've taken 500,000 dollars which belong to the mob. Jose only wants the the $13,314 he is owed.
Joined by a young girl they meet on the way, The Indomables(the untamed), as they are called, begin an intense voyage of friendship, adventure and solidarity from lots of people they meet along the way.
Their goal: Getting from Buenos Aires to a small border town with Brazil, where Jose has unfinished business.
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