| Rafael Alonso | |||
| Pedro Álvarez-Ossorio | |||
| Luis Barbero | |||
| Amparo Baró | |||
| Jorge Calvo | |||
| Gabriel Latorre | |||
| Fernando Rey | ... | Miguel | |
| Susi Sánchez | |||
| Gonzalo Vega | ... | Aurelio | |
| Maribel Verdú | ... | Mariana |
Directed by | |||
| Jaime de Armiñán | |||
Writing credits(in alphabetical order) | ||
| Eduardo Armiñán | writer | |
| Jaime de Armiñán | writer | |
Produced by | |||
| Jaime de Armiñán | .... | executive producer | |
| Teodoro Escamilla | .... | executive producer (as Teo Escamilla) | |
Original Music by | |||
| Carmen Santonja | |||
Cinematography by | |||
| Teodoro Escamilla | |||
Film Editing by | |||
| José Luis Matesanz | |||
Art Direction by | |||
| Julio Esteban | |||
Makeup Department | |||
| Romana González | .... | makeup artist | |
| Josefa Morales | .... | hair stylist | |
Production Management | |||
| Beatriz Alcalá | .... | production manager | |
| Ángel García Palmeiro | .... | production manager | |
Sound Department | |||
| Aitor Berenguer | .... | boom operator | |
| José Antonio Bermúdez | .... | sound mixer | |
| Manolo Corrales | .... | sound effects editor | |
| Miguel Ángel Polo | .... | sound recordist (as Miguel Polo) | |
Costume and Wardrobe Department | |||
| Inés Sájara | .... | wardrobe | |
Editorial Department | |||
| Lucio Cortés | .... | assistant editor | |
| Marina Matesanz | .... | second assistant editor | |
Music Department | |||
| Álvaro de Cárdenas | .... | orchestrator | |
Other crew | |||
| Ramón Fernández-Maquieira | .... | production administrator (as Ramon Fdez.-Maquieira) | |
| Margarita Fernández | .... | script supervisor | |
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| El amor del capitán Brando | Al servicio de la mujer española | Jo, papá | 14, Fabian Road | Abre los ojos |
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| Full cast and crew | Company credits | IMDb Spain section |
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This was Fernando Rey's last movie as an actor, he died shortly after. And what a way to say good-bye. The plot is rather simple: two screen writers, one old and accomplished (Rey), the other one in the learning curve, but young and smart, hide away in a monastery to escape writer's block and concentrate on a piece of work they must do against a tight time line. But against this simple plot, both men confront the essentials of live: one's work and creative art, love, lust, youth and aging, and ultimately, death. Their task and sense of duty is constantly challenged by the pleasures of life, landscape, food, the enjoyment of a walk in the country, and the final and definitive distraction: a mysterious, sensuous woman.
What makes this movie is the dialog, one of the most intelligent, picaresque, ironic dialogs of any film. Shot against a beautiful landscape.
I've seen it twice, and I've decided to buy it. A must in anybody who loves good intelligent films, out of the ordinary.