The Hunt for Red October (1990)

User Rating:

7.6/10   

Director:

John McTiernan

Writers (WGA):

Tom Clancy (novel)
Larry Ferguson (screenplay) ...

Release Date:

2 March 1990 (USA)

Genre:

Action | Adventure | Thriller

Tagline:

Invisible. Silent. Stolen.

Plot:

In 1984, the USSR's best submarine captain in their newest sub violates orders and heads for the USA. Is he trying to defect, or to start a war?

Plot Keywords:

Soviet | CIA | Submarine | Navy | Jack Ryan

Awards:

Won Oscar. Another 2 wins & 6 nominations

Cast

Sean Connery	...	Marko Ramius
Alec Baldwin	...	Jack Ryan
Scott Glenn	...	Bart Mancuso
Sam Neill	...	Captain Borodin
James Earl Jones	...	Admiral Greer
Joss Ackland	...	Andrei Lysenko
Richard Jordan	...	Jeffrey Pelt
Peter Firth	...	Ivan Putin
Tim Curry	...	Dr. Petrov
Courtney B. Vance	...	Seaman Jones
Stellan Skarsgård	...	Captain Tupolev
Jeffrey Jones	...	Skip Tyler
Timothy Carhart	...	Bill Steiner
Larry Ferguson	...	Chief of the Boat
Fred Dalton Thompson	...	Admiral Painter

Runtime:

134 min

Country:

USA

Language:

English | Russian

Color:

Color (Technicolor)

Aspect Ratio:

2.20 : 1

Sound Mix:

70 mm 6-Track (70 mm prints) | Dolby SR (35 mm prints)

Certification:

Canada:G (Nova Scotia) | Canada:PG (Manitoba/Ontario) | Iceland:12 | Australia:PG | Netherlands:6 | South Korea:12 | Brazil:12 | New Zealand:PG | Germany:12 | West Germany:12 (f) | Argentina:13 | Chile:14 | Finland:K-12 | Ireland:12 | Sweden:11 | UK:PG | USA:PG | Singapore:PG

Filming Locations:

California, USA

Company:

Paramount Pictures

Trivia:

The dual-beeping sound effect of the Red October moving on the USS Dallas' sonar screen was also used in Patriot Games (1992) as the sound of Jack Ryan's EKG.

Goofs:

Factual errors: Admiral Painter tells Jack that if he needs him or Captain Davenport, they'll be in the CIC (Combat Information Center). However, on aircraft carriers this area is called the CDC (Combat Direction Center).

Quotes:

[telling young Sonarman Beaumont about Jones's most embarrassing moment]
Watson: Seaman Jones here is into music in a big way, and he views this whole boat as his own personal, private stereo set. Well, one day he's got this piece of Pavarotti...
Seaman Jones: It was Paganini.
Watson: Whatever.
Seaman Jones: It was Paganini.
Watson: Look, this is my story, okay?
Seaman Jones: Then tell it right, COB. Pavarotti is a tenor, Paganini was a composer.
Watson: So anyway, he's got this music out in the water, and he's listening to it on his headsets, and he's just happy as a clam. And then all hell breaks loose. See, there's this whole slew of boats out in the water...
Seaman Jones: Including one WAY out at Pearl!
Watson: Including one way the hell out at Pearl. All of a sudden, they start hearing, Pavarotti...
[...]

Movie Connections:

Referenced in "The Amazing Race: You're Gonna Get Me Killed (#13.10)" (2008)

Soundtrack:

Payoff

The action-thriller to end all action-thrillers

After seeing this movie, you'll wonder how Hollywood manages to turn out so many junk-action movies, now that they've figured out the right formula. To be fair, the vast majority of action movies don't have the benefit of Tom Clancy's greatest novel (granted, 'Sum of All Fears' was a very, very close second, for me). High tension and realistic (emphasis on that last word) depictions of modern warfare make for an excellent story.

Nonetheless, there are a few key qualities that shouldn't go unnoticed to today's directors. First (again) is the basis of a good plot that actually captures your attention, makes you think, and puts you on the edge of your seat. Second is the high caliber of actors: James Earl Jones, Alec Baldwin (I'm a Harrison Ford fan, but I still think Baldwin was far better for the role), and - last but certainly not least - Sean Connery. I'm sure this wasn't cheap, but when you look at the product produced by three of the best professional actors, it's worth every penny. Third, is the great music; nothing too over the top, but well-orchestrated, and featuring a great set of pieces by a Russian men's choir (hard to go wrong!). Lastly, the great use of special effects, from which George Lucas himself could use a clue or two: it smoothly supports, and doesn't take the place of or interfere with, the development of the plot.

This is my #2 favorite movie of all-time, but you don't have to take my word for it. See it yourself! You'll be glad you did.