| Photos (see all 6 | slideshow) |
| Natalie Wood | ... | Alva Starr | |
| Robert Redford | ... | Owen Legate | |
| Charles Bronson | ... | J.J. Nichols | |
| Kate Reid | ... | Hazel Starr | |
| Mary Badham | ... | Willie Starr | |
| Alan Baxter | ... | Knopke | |
| Robert Blake | ... | Sidney | |
| Dabney Coleman | ... | Salesman | |
| John Harding | ... | Johnson | |
| Ray Hemphill | ... | Jim | |
| Brett Pearson | ... | Charlie | |
| Jon Provost | ... | Tom | |
| Robert Random | ... | Tiny (as Bob Random) | |
| Quintin Sondergaard | ... | Hank | |
| Mike Steen | ... | Max | |
| Bruce Watson | ... | Lin Tate | |
| rest of cast listed alphabetically: | |||
| Ralph Roberts | ... | A boarding house tenant (uncredited) | |
| Nick Stuart | ... | Railroad Conductor (uncredited) | |
Directed by | |||
| Sydney Pollack | |||
Writing credits | ||
| Tennessee Williams | (play) | |
| Francis Ford Coppola | (writer) (as Francis Coppola) & | |
| Fred Coe | (writer) & | |
| Edith R. Sommer | (writer) (as Edith Sommer) | |
| David Rayfiel | uncredited | |
Produced by | |||
| John Houseman | .... | producer | |
| Ray Stark | .... | producer | |
Original Music by | |||
| Kenyon Hopkins | |||
Cinematography by | |||
| James Wong Howe | |||
Film Editing by | |||
| Adrienne Fazan | |||
Production Design by | |||
| Stephen B. Grimes | (as Stephen Grimes) | ||
Art Direction by | |||
| Philip M. Jefferies | (as Phil Jefferies) | ||
| Hal Pereira | (uncredited) | ||
Set Decoration by | |||
| William Kiernan | |||
Costume Design by | |||
| Edith Head | |||
Makeup Department | |||
| Sugar Blymyer | .... | hair stylist: Ms. Wood (as Maryce Bates) | |
| Edwin Butterworth | .... | makeup artist | |
| Gary Morris | .... | makeup artist (as Garrett Morris) | |
| Wally Westmore | .... | makeup supervisor | |
Production Management | |||
| Clarence Eurist | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Eddie Saeta | .... | assistant director | |
Sound Department | |||
| Charles Grenzbach | .... | sound recordist | |
| Harry Lindgren | .... | sound recordist | |
Visual Effects by | |||
| Farciot Edouart | .... | process photography | |
| Paul K. Lerpae | .... | special photographic effects | |
Costume and Wardrobe Department | |||
| Ann Landers | .... | costumer: Ms. Wood | |
| Ted Tetrick | .... | costumer: men | |
Other crew | |||
| Dominic Santarone | .... | caterer (uncredited) | |
| Ruth Santarone | .... | caterer (uncredited) | |
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| Gone with the Wind | Picnic | Toys in the Attic | Splendor in the Grass | The Little Foxes |
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| News articles | IMDb Drama section | IMDb USA section |
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This Property is Condemned was a condemned movie from the day it was made. It didn't win critical acclaim, nobody saw it and still there are only a few people who have even heard of it. And yet it's so beautiful that you really don't need to be persuaded to watch it. From the beginning, and as the story carries us to a condemned love affair between a beautiful and proud young woman who wants the world (but all she gets is all the men around her crawling on her feet) and a man (Robert Redford) that only wants to keep her safe from her pride, we witness the changes that can be brought by just one person, either that is the impact on the small town that Alva (Natalie Wood) lives or on her heart and life. The end is some kind of divine justice that we all want to prevent but no one manages to, but at the same time a lyrical hope in the form of the left behind (and astoundingly good) Mary Badham. A song that Tennessee Williams certainly wouldn't have approved for his book but at the same time what has always stayed in heart from this wonderful film. That and the glass snowstorm.