A Man for All Seasons (1966)

User Rating:

8.1/10   

Director:

Fred Zinnemann

Writers:

Robert Bolt (play)
Robert Bolt (screenplay)

Release Date:

1967 (Japan)

Genre:

Biography | Drama

Tagline:

...a motion picture for all times!

Plot:

The story of Thomas More, who stood up to King Henry VIII when the King rejected the Roman Catholic Church to obtain a divorce and remarriage.

Plot Keywords:

Thomas More | Divorce | Chancellor | Catholic | King Henry VIII

Awards:

Won 6 Oscars. Another 27 wins & 5 nominations

Cast

Paul Scofield	...	Thomas More
Wendy Hiller	...	Alice
Leo McKern	...	Cromwell
Robert Shaw	...	Henry VIII
Orson Welles	...	Cardinal Wolsey
Susannah York	...	Margaret
Nigel Davenport	...	Duke of Norfolk
John Hurt	...	Rich
Corin Redgrave	...	Roper
Colin Blakely	...	Matthew
Cyril Luckham	...	Archbishop Cranmer
Jack Gwillim	...	Chief Justice
Thomas Heathcote	...	Boatman
Yootha Joyce	...	Averil Machin
Anthony Nicholls	...	King's Representative

Runtime:

120 min

Country:

UK

Language:

English | Latin | Spanish | French

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

Iceland:L | West Germany:12 (nf) | Brazil:Livre | Sweden:11 | Argentina:13 | Australia:G | Finland:K-12 | Singapore:PG | Spain:13 | UK:U | USA:Approved (original rating) | USA:G (re-rating) (1971)

Filming Locations:

Beaulieu River, Hampshire, England, UK

Company:

Highland Films

Trivia:

Nicholas Grimshaw was offered a featured role but confusion over the offer meant he accepted a stage role instead.

Goofs:

Continuity: At the beginning of the scene when Cardinal Wolsey is writing the letter to Thomas More, he stops writing and throws the pen on the table to his right but when the angle turns to Thomas Cromwell to fold the letter, the pen cannot be seen on the desk.

Quotes:

The Duke of Norfolk: The nobility of England...
Sir Thomas More: The nobility of England, My Lord, would have snored through the Sermon on the Mount, but you'll labor like scholars over a bulldog's pedigree.

Movie Connections:

Referenced in "M*A*S*H: A War for All Seasons (#9.6)" (1980)

powerful and misunderstood study of identity

This is one of my favorite films. It is of perfect length and pacing, and the script is one of the best ever written. The acting, direction, and design of this movie are uniformly excellent. The segue into Henry VIII's entrance is alone reason for seeing the movie. The production design is top-notch, both beautiful and--unlike many "costume dramas"--not so overwhelming as to lose the actors among outrageous sets and costumes. For an adaptation of a stage play, a remarkable proportion of the action taking place outdoors, with More's house at Chelsea being particularly lovely.

It's very easy to see this film superficially as a moral fable, and many people scoff at it as being a stagy morality play. But it's both more subtle and more vibrant that that. The subtlety of Robert Bolt's script lies in its exploration of identity. We're not meant to identify or admire More's religious ideas, which the movie actually tiptoes around. Instead it's what Bolt called More's "adamantine sense of his own self" that the movie really highlights.