IMDb > City for Conquest (1940)

City for Conquest (1940) More at IMDbPro »

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Overview

User Rating:
7.3/10   745 votes
MOVIEmeter: ?
Down 27% in popularity this week. See why on IMDbPro.
Director:
Anatole Litvak
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Writers:
John Wexley (screenplay)
Aben Kandel (novel)
Contact:
View company contact information for City for Conquest on IMDbPro.
Release Date:
21 September 1940 (USA) more
Genre:
Drama | Film-Noir more
Tagline:
A story with all the fire and fury of its two great stars!
Plot:
Cagney is Danny Kenny, a truck driver who enters "the fight game" and Sheridan plays his girlfriend... more | add synopsis
User Comments:
One of Cagney's best. more (23 total)

Cast

  (Cast overview, first billed only)

James Cagney ... Danny Kenny

Ann Sheridan ... Peggy Nash
Frank Craven ... 'Old Timer'
Donald Crisp ... Scotty MacPherson
Frank McHugh ... 'Mutt'
Arthur Kennedy ... Eddie Kenny
George Tobias ... 'Pinky'
Jerome Cowan ... 'Dutch'

Elia Kazan ... 'Googi'

Anthony Quinn ... Murray Burns
Lee Patrick ... Gladys
Blanche Yurka ... Mrs. Nash
George Lloyd ... 'Goldie'
Joyce Compton ... Lilly
Thurston Hall ... Max Leonard
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Additional Details

Runtime:
104 min
Country:
USA
Language:
English
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (RCA Sound System)
Certification:
USA:Approved (PCA #6443) | USA:TV-PG (TV rating) | Finland:K-16 | Sweden:15

Fun Stuff

Trivia:
Jean Negulesco took over direction of the film for a short period when Anatole Litvak suffered an eye injury. more
Movie Connections:
Featured in Elia Kazan: A Director's Journey (1995) more
Soundtrack:
She's a Latin from Manhattan more

FAQ

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8 out of 9 people found the following comment useful.
One of Cagney's best., 14 April 1999
7/10
Author: Arthur Hausner (genart@volcano.net) from Pine Grove, California

With a first-rate cast, good boxing sequences, an excellent music score by Max Steiner, a smattering of romance and action sequences, this film has got to be one of James Cagney's best films. Besides, you get a chance to see Arthur Kennedy and Elia Kazan in their first film, and both are excellent. If Kazan weren't such a great director, he easily could have made a career as an actor. Be sure to notice the surprising scene where Anthony Quinn seems to force himself on Ann Sheridan, who pleads for him to stop as the scene fades. Surprising, because even an implied rape was against the strict code in 1940. I wonder how that scene got past the Hays Office.

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Message Boards

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Related Links

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