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Judith of Bethulia (1914)
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Overview
User Rating:
Release Date:
8 March 1914 (USA) morePlot:
A fascinating work of high artistry, "Judith of Bethulia" will not only rank as an achievement in this country... more | add synopsisPlot Keywords:
User Comments:
The wheels of a cinema revolution beginning to churn. more (10 total)Cast
(Credited cast)| Blanche Sweet | ... | Judith | |
| Henry B. Walthall | ... | Holofernes | |
| Mae Marsh | ... | Naomi | |
| Robert Harron | ... | Nathan | |
| Lillian Gish | ... | The young mother | |
| Dorothy Gish | ... | The crippled beggar | |
| Kate Bruce | ... | Judith's maid | |
| J. Jiquel Lanoe | ... | Eunuch Attendant | |
| Harry Carey | ... | Assyrian Traitor | |
| W. Chrystie Miller | ... | Bethulian | |
| Gertrude Robinson | |||
| Charles Hill Mailes | ... | Bethulian Soldier | |
| Edward Dillon | |||
| rest of cast listed alphabetically: | |||
| Gertrude Bambrick | ... | Lead Assyrian Dancer | |
| Lionel Barrymore | ... | Extra | |
| Clara T. Bracy | ... | Bethulian | |
| Kathleen Butler | ... | Bethulian | |
| William J. Butler | ... | Bethulian | |
| Christy Cabanne | |||
| William A. Carroll | ... | Assyrian Soldier (as William Carroll) | |
| Frank Evans | ... | Bethulian Soldier | |
| Mary Gish | |||
| Harry Hyde | ... | Bethulian Soldier / Assyrian Soldier | |
| Thomas Jefferson | |||
| Jennie Lee | ... | Bethulian | |
| Adolph Lestina | ... | Bethulian | |
| Elmo Lincoln | |||
| Antonio Moreno | ... | Extra | |
| Marshall Neilan | |||
| Frank Opperman | ... | Bethulian | |
| Alfred Paget | ... | Bethulian / Assyrian Soldier | |
| W.C. Robinson | ... | Bethulian Soldier | |
| Kate Toncray | ... | One of Judith's Servants | |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
USA:61 minCountry:
USALanguage:
EnglishColor:
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1.33 : 1 moreSound Mix:
SilentFun Stuff
Trivia:
The original Broadway production of "Judith of Bethulia" by Thomas Bailey Aldrich opened at Daly's Theatre on December 5, 1904 and ran for 16 performances. moreGoofs:
Revealing mistakes: When Judith goes out into the city and begins to bless the young mother's baby, an extra enters the shot in the left foreground, blocking the action. She or he quickly retreats back out of view, as someone obviously yelled out. moreFAQ
This FAQ is empty. Add the first question.more (10 total)
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D.W. Griffith fuses Thomas Bailey Aldrich's long poem of Judith's story with its basis in the Apocrypha to derive this somewhat austere and powerful film of the widow's noble sacrifice to save her besieged city and its inhabitants from an invading Assyrian army, led by Holofernes. With JUDITH as Griffith's first feature length effort, he turns away from the commercial needs of the Biograph Company, the management of which desires to maintain its policy of making only one and two reelers, and his expenditure of $36000 is double the amount budgeted, reflecting his expanded use of sets and extras and providing the requisite exercise in preparation for his next major work: BIRTH OF A NATION, made as a free agent. Eighteen year old Blanche Sweet's performance is striking as she utilizes all of her wide range of expressivity, uncommon in one so young, to mirror the emotions of a woman who is physically attracted to a man, Henry Walthall as Holofernes, toward whom her only possible final act will be his death by her hand, as depicted in many a well-known painting. The supporting cast serves the sparsely titled production well, with emotional performances from Mae Marsh and Robert Harron as endangered lovers, and among the many bit players who animate the work may be seen Lionel Barrymore, Harry Carey, Antonio Moreno and Lillian and Dorothy Gish as victims of the invaders. This version is the four reeler rather than the one of six reels released later and is Griffith's answer to the full-length epics which were being imported from Europe; its release was delayed a year by Biograph to ensure that the director had left its employ, but this brought scant gain to the company: Biograph was soon defunct, while Griffith's star was rising.