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Amants, Les (1958)
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Overview
User Rating:
Release Date:
26 October 1959 (USA) moreTagline:
The most talked-about and fought-about film!Plot:
Bored with her husband, bored with her polo-playing lover, will the middle-aged heroine go away with... more | add synopsisAwards:
1 win & 1 nomination moreUser Comments:
Looking for real happiness moreCast
(in credits order) (verified as complete) | Jeanne Moreau | ... | Jeanne Tournier |
| Alain Cuny | ... | Henri Tournier |
| José Luis de Villalonga | ... | Raoul Flores (as José Villalonga) |
| Jean-Marc Bory | ... | Bernard Dubois-Lambert |
| Judith Magre | ... | Maggy Thiebaut-Leroy |
| Gaston Modot | ... | Coudray |
| Michèle Girardon | ... | La secrétaire |
| Claude Mansard | ... | Marcelot |
| Georgette Lobre | ... | Marthe |
| Patricia Maurin | ... | Catherine, fille de Jeanne |
| Lucienne Hamon | ... | Chantal |
| Pierre Frag | ||
| Gib Grossac | ||
| rest of cast listed alphabetically: | |||
| Jean-Claude Brialy | ... | Un garçon a manège (uncredited) |
Directed by | |||
| Louis Malle | |||
Writing credits | ||
| Louise de Vilmorin | (dialogue) | |
| Dominique Vivant | (novel "Point de Lendemain") uncredited | |
Cinematography by | |||
| Henri Decaë | |||
Film Editing by | |||
| Léonide Azar | |||
Production Design by | |||
| Bernard Evein | |||
Set Decoration by | |||
| Jacques Saulnier | |||
Costume Design by | |||
| Coco Chanel | |||
Makeup Department | |||
| Gisèle Jacquin | .... | makeup artist | |
Production Management | |||
| Irénée Leriche | .... | production manager | |
| Hubert Mérial | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Alain Cavalier | .... | assistant director | |
| François Leterrier | .... | second assistant director | |
Art Department | |||
| Charles Merangel | .... | property master | |
Sound Department | |||
| Pierre-André Bertrand | .... | sound (as Pierre Bertrand) | |
Camera and Electrical Department | |||
| Vincent Rossell | .... | photographer | |
| André Villard | .... | camera operator | |
Editorial Department | |||
| Madeleine Bibollet | .... | assistant editor | |
| Kenout Peltier | .... | assistant editor | |
Other crew | |||
| Francine Corteggiani | .... | script girl | |
Production CompaniesDistributors
- Lux Compagnie Cinématographique de France (1958) (France) (theatrical)
- Zenith International Films (1959) (USA) (theatrical) (subtitled)
- Criterion Collection, The (2008) (USA) (DVD)
- Kinokuniya (2005) (Japan) (DVD)
- New Yorker Films (1996) (USA) (VHS)
- Video Film Express (2006) (Netherlands) (DVD)
- Poste Parisien sound post-production
Additional Details
Parents Guide:
View content advisory for parentsRuntime:
Argentina:90 minCountry:
FranceLanguage:
FrenchColor:
Black and WhiteAspect Ratio:
2.35 : 1 moreSound Mix:
MonoMOVIEmeter: 
1% since last week
why?
Fun Stuff
Trivia:
After screening this film, Nico Jacobellis, manager of a motion picture theater in Cleveland Heights, Ohio, was charged with and convicted of possessing and exhibiting an obscene film. He appealed all the way to the US Supreme Court, which overturned the convictions, ruling that the film was not obscene. In a concurring opinion, Justice Potter Stewart made his famous pronouncement concerning what was pornography: "I know it when I see it, and the motion picture involved in this case is not that." Jacobellis v. Ohio, 378 U.S. 184, 197 (1964) (Stewart, J., concurring). moreSoundtrack:
Streichsextett No. 1 moreFAQ
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In 1959 this film was considered as something close to porno, but this is far enough from the reality. Jeanne Moreau was young, nice and attractive. She was the star of this film, which goes slowly as usual in French cinema's style. When you see this type of film you must become a psychologist to penetrate inside the brains of each hero and make some conclusions. Accordingly I concluded that life is not a straight line, suddenly something may happen in our lives that deviate completely this straight line. Formal ethics accepted by the society goes sometimes to extremes that does not enable the persons to behave and feel happy. What's wrong when the current life is disrupted to start a new one? At this point I advise you to see this old, and black and white film, which may compel you to think and to conclude something new, probably different to what I am saying here.