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Directed by | |||
| David Mackenzie | |||
Writing credits(in alphabetical order) | ||
| Peter Jinks | novel | |
| David Mackenzie | screenplay | |
| Ed Whitmore | screenplay | |
| Jamie Bell | ... | Hallam Foe | |
| Sophia Myles | ... | Kate Breck | |
| Ciarán Hinds | ... | Julius Foe | |
| Jamie Sives | ... | Alasdair | |
| Maurice Roëves | ... | Raymond | |
| Ewen Bremner | ... | Andy | |
| Claire Forlani | ... | Verity Foe | |
| Ruth Milne | ... | Jenny | |
| John Paul Lawler | ... | Carl | |
| Lucy Holt | ... | Lucy | |
| Malcolm Shields | ... | Kilt Man | |
| John Comerford | ... | Grumpy Glaswegian | |
| Gerry Cleary | ... | Grumpy Glaswegian | |
| Paul Blair | ... | Raincoat Man | |
| Neil McKinven | ... | Police Officer | |
| Stuart Hepburn | ... | Police Inspector | |
| Kirsty Shepheard | ... | Alasdairs Wife | |
| rest of cast listed alphabetically: | |||
| Adam Smith | ... | Bar Customer | |
Cinematography by | |||
| Giles Nuttgens | |||
Film Editing by | |||
| Colin Monie | |||
Casting by | |||
| Kahleen Crawford | |||
| Des Hamilton | |||
Production Design by | |||
| Tom Sayer | |||
Art Direction by | |||
| Caroline Grebbell | |||
Costume Design by | |||
| Trisha Biggar | |||
Makeup Department | |||
| Konnie Daniel | .... | hair designer | |
| Konnie Daniel | .... | makeup designer | |
Production Management | |||
| Tim Wellspring | .... | unit production manager | |
| Emma Zee | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Matthew Baker | .... | first assistant director: prep | |
| Paul Bennett | .... | additional second assistant director | |
| Toby Hosking | .... | second assistant director | |
| Colin Kennedy | .... | second unit director | |
| Morrissa Morris | .... | third assistant director | |
| Charlie Reed | .... | third assistant director | |
| Deborah Saban | .... | first assistant director | |
| Dave Tarvit | .... | first assistant director: second unit | |
Art Department | |||
| Mat Bergel | .... | stand-by props | |
| Jim Elliott | .... | property master: reshoots | |
| Fiona Gavin | .... | stand-by art director | |
| Derek Gray | .... | storyboard artist | |
| Paul Lambie | .... | stand-by props | |
| Janice Macrae | .... | props buyer | |
| Caroline McDonald | .... | art department assistant: graphics | |
| Tony Sheridan | .... | property master | |
| Martin Kelly | .... | set dresser (uncredited) | |
Sound Department | |||
| Iain Anderson | .... | sound editor | |
| Peter Brill | .... | sound mixer | |
| Tony Cook | .... | sound maintenance | |
| Howard Halsall | .... | supervising dialogue editor | |
| Kahl Henderson | .... | sound re-recording mixer | |
| Douglas MacDougall | .... | sound designer | |
| Matthew McKenzie | .... | adr recordist | |
| Thayna McLaughlin | .... | assistant sound | |
| Jamie Roden | .... | adr mixer | |
| Chris Sinclair | .... | sound re-recording mixer | |
Special Effects by | |||
| Perry Costello | .... | rigging supplier | |
Visual Effects by | |||
| Papavramides Alexandra | .... | digital compositor: Baseblack | |
| Stephen Bearman | .... | scanning supervisor | |
| Matthew Bristowe | .... | digital lab producer: MPC | |
| Stephen Elson | .... | visual effects producer: Baseblack | |
| Elysia Greening | .... | digital compositor: Baseblack | |
| Max Horton | .... | colourist | |
| John Kozak | .... | r&d support: Baseblack | |
| Pierson Lippard | .... | technical director: Baseblack | |
| Begoña Lopez | .... | digital lab producer: MPC | |
| Donal Nolan | .... | digital compositor: Baseblack | |
| Chris Panton | .... | visual effects supervisor: Baseblack | |
| Tristan Porter | .... | digital compositor: Baseblack | |
| Petra Schwane | .... | digital compositor: Baseblack | |
| Paul Shore | .... | scanning supervisor | |
| Thomas Urbye | .... | online film editor | |
| Val Wardlaw | .... | CG Supervisor: Baseblack | |
| Pat Wintersgill | .... | on-line editor | |
Stunts | |||
| Marc Cass | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Anna Benbow | .... | second assistant camera | |
| Nic Cupac | .... | key grip | |
| Neil Davidson | .... | still photographer | |
| Laurence Edwards | .... | crane technician | |
| Steve Hideg | .... | crane technician | |
| Campbell McIntosh | .... | lighting gaffer | |
| Derrick Peters | .... | first assistant camera: "b" camera | |
| George Powell | .... | crane technician | |
| Carolina Schmidtholstein | .... | electrician | |
| Lilia Sellami | .... | focus puller | |
Editorial Department | |||
| Greg Barrett | .... | scanning producer | |
| Giles Burgess | .... | assistant editor | |
| Brian Coffey | .... | post-production coordinator | |
| Beth Hourston | .... | post-production trainee | |
| Jason Wheeler | .... | negative cutter | |
Music Department | |||
| Matt Biffa | .... | music consultant | |
Other crew | |||
| Lisa Maria Baruffati | .... | floor runner | |
| Rebecca Budds | .... | film scanning coordinator | |
| Neil Cairns | .... | production accountant | |
| Jo Cameron Brown | .... | dialect coach | |
| Brian Coffey | .... | production assistant | |
| Giovannina Cotroneo | .... | production coordinator | |
| Anna Duffield | .... | assistant: Gillian Berrie | |
| Lorna Ferguson | .... | production coordinator | |
| Piers Gielgud | .... | choreographer | |
| Hugh Gourlay | .... | location manager | |
| Paula Jalfon | .... | production executive | |
| Tom Jenkins | .... | assistant location manager | |
| Matt Jones | .... | location manager | |
| Jacqui McBride | .... | assistant accountant | |
| Adam Guy Parker | .... | floor runner | |
| Norman Campbell Rees | .... | additional floor runner | |
| Matthew Sanders | .... | unit publicist | |
| David Shrigley | .... | titles | |
| Lee Thomas | .... | assistant to producer | |
| Paul Zieleniec | .... | assistant accountant: post-production and re-shoots | |
Thanks | |||
| Jessica Weetch | .... | thanks | |
| Company credits | Box office and business | Technical specifications |
| Soundtrack listing | Main details |